-------- Disclaimer: Dana Scully, Fox Mulder, Samantha, Mrs. Mulder, Pendrell and various conspiracies are borrowed from Chris Carter, 10-13 and Fox. Chloe Grant and Mickey Callavelo were created by Char Hall and Vickie Moseley in the original Bed Springs. Thanks also go to Vanessa Len for mythological information. ______________________________________________ T h e X - F i l e s Bed Springs II: Adamantine Poison by Char Hall and Megan Reilly [lazydark@aol.com & eponine@prodigy.net] 8/3/96-10/30/96 ______________________________________________ Apartment of Chloe Grant December 2, 1996 9:45 PM "Grant, are you sure she should be watching movies like this?" Mickey Callavelo asked his partner as he came back into the living room from the kitchen, a huge bowl of popcorn in his hands. Both women gave him dark looks. "She's fine," Chloe Grant told him, ruffling Samantha Mulder's hair with her hand. "Sit down and shut up," she ordered with a smile. He did as she said, sitting down on Chloe's threadbare couch and handing her the popcorn. Sam, who was sitting on the floor in front of them, turned to take a big handful of popcorn. "Arnold Schwartzenegger movies are my *favorite*," she told Mickey, tossing a piece of popcorn at him and gracing him with a charming ten year old grin. He threw one back, missed her by a mile, and she went back to watching the movie. "Think Mulder and Dana are enjoying their honeymoon?" Mickey asked his partner softly, the words barely audible over the roar of an explosion in the rented movie playing in the VCR. "Of course," Chloe returned with a quirky smile. Mickey nodded and looked at the TV, but Chloe's eyes lingered on her partner, wondering what he was thinking. Wondering what was going on his mind wasn't a new experience for her, although the domesticity of this scene was. In her head, she knew Mickey was her partner and a damn good one, and that Sammi was the younger sister--much younger, now--of their boss, Fox Mulder, head of the X-Files division, but it didn't stop Chloe from wondering what it might be like... Not with Mickey, of course, Chloe thought, a little shocked at herself. The trouble was, he was the only man she was close to in her life right now. Her partner. Wonderful, she thought ironically. There had only been one man she'd ever thought she might live happily ever after with, and that had ended badly. It had ended so incredibly badly. Months ago. Chloe still didn't feel like she was ready to trust someone with her heart again. But someday...someday, it might be nice, she decided, thinking again of Fox Mulder and his new bride, Dana Scully Mulder, who were no doubt, at this moment, very much in love and basking in the sun. ----- White Sands Resort December 2, 1996 9:45 PM Dana Scully Mulder, who was having a hard time remembering not to think of herself as 'Scully' anymore, looked across the room at her husband of one week who stood by the window, looking out at the waves crashing onto the gorgeous white sandy beach only a few feet away. It was the perfect place for a honeymoon, with a bright, airy hotel room, a complimentary sampling of fragrant bubble bath and other luxuries waiting for them. No evil, no cases, nothing to worry about. Just the two of them, married. At last. In one of the greatest resorts that existed, enjoying sun and heat in the middle of December. And Mulder was miserable. Dana could sense it; she knew this man so well, better than she knew anyone else, nearly better than she knew herself. She knew it wasn't her, or them or regrets about their marriage. He loved her. She knew that. She went to him and put her arms around him. He was surprised, but then she felt his arms tight around her, so tight she could barely breathe and she knew that she was right. Mulder was missing the rain and the cold of Washington, D.C. And his sister. And the X-Files. ----- FBI Building December 3, 1996 9:15 am "What does he want to see us for?" Mickey asked, turning to meet Chloe's eyes. "He's our supervisor, Mickey. And with Mulder and Dana both out of the office, we report directly to him." Mickey's face fell instantly. "You don't think I'm in trouble again, do you?" Chloe couldn't help it, she laughed. Mickey looked at her, stricken, and she could tell he was going over in his head every last thing he'd said in the past few weeks. It was an unintentionally offensive comment that had landed him in the X-Files to begin with, and though he liked his position, Mickey couldn't help wondering. He wasn't too good in the diplomacy department, Chloe thought, but she liked him anyway. "I'm sure it's just our next case," she reassured him, but he continued to look unconvinced. The elevator doors opened and they went together into the Assistant Director's office. Chloe hid her smile as Mickey opened the door and started to hold it open for her, then gave her a look and went through it himself. She'd told him, again, that she was perfectly capable of opening a door for herself, and this time he was really making an effort to change his ways. She knew he couldn't help it. "Agent Callavelo, Agent Grant," Skinner said and nodded them both into the chairs facing his desk. Mickey sat down nervously, on the edge, still convinced he was going to be called on the carpet. The memory of the state's dinner, last week, came crashing down on him... "Agent Callavelo," Skinner said, meeting his eyes after shuffling the papers on his desk around. "I enjoyed hearing your thoughts on the San Diego stalker at the state's dinner last week." Here it comes, Mickey thought, but his boss didn't continue. It took him a good thirty seconds to realize the man had been serious. "Thank you, sir," he managed to say, and could feel himself blushing. "That's why I'm assigning this case to you. Although it doesn't have the earmarkings of an X-File, I'm sure it will put both of your talents to good use. You'll be leaving for New York this afternoon. Agent Grant," Skinner said, and put the file in her hands. Mickey got to his feet and followed her from the room. "How bad is it?" he asked her, back in the elevator. "Not bad," she said, sounding distracted. "I was thinking about Sam. Mulder and Dana left her with me, and we can't take her with us." "They knew that this might happen. We can leave her with her mother, I'm sure she'd love to have her. And it's only a couple of days before they get back." "You're right," Chloe said, looking through the file again. She wondered why she felt so unsettled, like something bad was waiting for them around the corner. She pushed the thoughts away, but they didn't stay gone for long. Right there, in black and white, the name of their contact in New York City. A name she'd hoped she would never hear again in her entire life. Nicholas Shane. The man who'd torn her heart out and essentially used it for dental floss. The man she'd loved so intensely that even now, after six months, it hurt like it was yesterday. "I'm sure it won't be that bad," Mickey said optimistically. "I'm sure you're right," Chloe managed to reply. ----- Arlington National Cemetery 10:13 am The woman stood in front of the small grave marker, oblivious to the rain that poured in heavy torrents from the dark skies above, staining her black wool overcoat with streams of water. The tombstone was nondescript and even though it had only been there for four months, it already seemed worn with age. The name carved into the stone was unintelligible to her, perhaps because of the rain obscuring her vision. It couldn't be tears. Not now, not after so many years. In a final tribute to the man who now lay decomposing beneath her feet, she lit a Morley cigarette, because that had been his brand, and she watched it burn for a moment, the acrid smoke mixing with the moldy smell of her damp wet coat. Then she dropped it on the ground, crushing it viciously into the muddy earth with her shoe. "I will get my revenge," she swore, more to herself than to the dead man. Without another thought for him, she turned to go, long brown hair sliding over the collar of her coat. She was a young woman, perhaps thirty years old, with a striking and beautiful profile. When she turned, the other side of her face was toward the grave, the skin melted and reshaped by horrible scars. There was nothing she could do to disguise the facial scars, and so she walked with her head held high and her back straight, her promise of revenge keeping her strong. ----- December 4, 1996 Central Park, New York 5:13 am "I hurt myself today to see if I could still feel. I focus on the pain, the only thing that's real. The needle tears a hole, that old familiar sting. Try to kill it all away, but I remember everything..." Chloe Grant ran as she'd never run before. Her feet pounded against the sidewalk, as though the pain of the reverberation would calm the storm that was raging within her heart. This morning she'd risen early and left the hotel in order to seek a way to rid herself of the pent-up frustrations that had resulted in yet another sleepless night. She and Mickey had arrived early the night before, deciding it best to wait until the morning to start fresh on the case. Chloe felt nothing but relief when Mickey had suggested waiting. She wanted to put off meeting Nick for as long as possible. More than that, though, she wanted to have time to really think about it. She really did not want Mickey, dense as he seemed to be at times, to pick up on the fact that she really was uncomfortable around the man. And it took a lot to make Chloe uncomfortable. She sucked in a tight breath and ground her teeth together as the tiny little earphones transferred the song to her over-worked mind. "What have I become? My sweetest friend, everyone I know goes away in the end. You could have it all, my empire of dirt. I will let you down. I will make you hurt." She tried not to think about the song and its meaning as she ran yet another lap. Nicholas Shane, my ass, she thought, bitterly. I will not feel intimidated and I will not let him bother me. He's a smug bastard. That's all. Still, she didn't feel very well. Maybe the case would offer enough distraction that she wouldn't have to deal with Shane on her own, because surely then... Then what, Chloe? She wasn't sure. Admit it, Chloe, you still love the smug bastard. That thought lingering in her mind, Chloe Grant stopped running and hunched over, breathing deeply of the New York air. She moved to the side of sidewalk, allowing other joggers to pass as she tried to regain her breath. Still hunched over, she caught the first whiff of a familiar scent that made her heart skip every time she smelled it. She pursed her lips as she realized where it was coming from. From the corner of her eye, she could see a pair of Nike Crosstrainer shoes, white socks, and hairy legs. As she straightened she allowed her gaze to travel up the form, giving herself time to set her face in a mask of stone. Hairy legs gave way to a pair of dark blue Umbro soccer shorts, then a plain white T-shirt which pulled tight across his muscular upper torso. Her gaze faltered there, marveling for a split second. Catching herself, she completed her mission. Her body completely erect now, tight with apprehension and dread, Chloe raised her eyes finally to his face. A charming smile had replaced the look of anger that she'd last seen on his chiseled face. His wavy dark hair, now damp from sweat, had also grown much longer since the last time she'd seen him. Six months and now he stood in front of her. Special Agent Nicholas Shane, Violent Crimes section of the New York FBI. Up for section chief. Fast moving, quick thinking, asshole supreme. Chloe carefully raised one hand, while keeping eye contact with him, to remove each of the earphones from her ear. She allowed them to dangle down her back, the cord making a "V" at her throat. She made sure her gaze was chilling, despite the swirling emotions she felt at seeing him again. "Special Agent Grant, so nice to meet you again," he said, sticking his hand out as though they were just passing acquaintances. Yeah, passing acquaintances instead of ex- lovers, she thought with a shiver. How can he be so nonchalant about it? "And you," she said, barely able to keep the sudden emptiness from her voice. She grasped his hand, giving it only a half-hearted shake. "So," he said quietly, as though he'd suddenly become shy. The hand that she'd shaken slipped to the back of his neck as he rubbed his sweaty hair. "They've sent you to help out with my case, huh?" She nodded, not trusting her voice yet. Suddenly, she had the odd feeling that he was up to something. "Well, I'm glad. At least I know I can trust you," he said. I wouldn't be so sure, you bastard! Chloe cringed at her own malicious thoughts, but made no effort to shove them away. She could only remember the last time she'd seen him. It'd been a long day, and she'd had a headache. That much she remembered, because she'd gone home early. Early to find old Nick-boy in bed with some fucking blonde bitch. Chloe's fists involuntarily clenched. She bit the inside of her cheek to keep from laying into him that instant as he stood before her, charming as he had been on the first day they'd met. "So, uh," she forced the words to be at least half pleasant, "I see you haven't given up jogging." Of course, it was evident by his fit form. Strong leg muscles that accented his muscular upper torso and abdomen. "No. I figured I should keep fit, you know, never know when I might have to run from somebody's husband..." He trailed off as he noticed Chloe's dark gaze. He knew enough about her to know that he'd just struck a very sharp chord. He'd been trying to joke lightly, but the joke had been one of poor choice considering what had happened between them. Instead of stumbling over apologies, Nicholas tried to redeem himself by following another avenue, "I saw you jogging and when you hunched over, I thought you might be hurt. I mean, I thought... I thought maybe your leg was bothering you..." He stumbled over the words. "Look, I heard what happened on your first case. I just want you to know that I want to help." Isn't that sweet, Chloe thought. Too bad he doesn't mean it... But even as she thought about it, just his tone was the loving tone that she remembered. She pursed her lips and fought the urge to move closer to him. To her surprise, he closed a bit of the space. He took hold of her hand again, giving it a light squeeze. "I guess I'll meet you and your partner at my office at about eight, huh?" For an instant, Chloe thought he was going to lean forward and kiss her, but instead he let go of her hand and backed slowly away before turning his back on her and continuing with his jog. Confused more than ever now, just as she suspected would happen, Chloe Grant picked the earphones off her shoulders and put them back in her ears. She was engulfed once again by the strong current of music. She began to jog back to the hotel, turmoil less settled than it had been when she'd hit the sidewalk. The sun had lit the city by the time she reached the hotel, waking the people up and readying them for another day at the grueling task called life. ----- New York FBI Offices 7:57 am "Mickey, your tie is crooked again," Chloe's voice held a mixture of annoyance and amusement. He felt foolish as he glanced down at the tie. He'd tried his hardest to tie the bloody thing. Wish I had Sam here to tie it, he thought. He forced a smile on his lips as Chloe used her index finger to lift his chin so that she could straighten it out for him. Ever since Chloe had been told that they'd be going to New York for the case, she'd become withdrawn. It was just a small change, but even after being her partner for a short few months, he could see it. She was forcing her smiles, as he had this very moment, and trying not to seem so apprehensive about coming here. It was worse this morning. He'd heard her leave the hotel, figuring that she'd gone for her daily jog, but when she came back something seemed odd. It was almost as though a new weight were pressing her. He sighed and looked down at his fixed tie, mumbling a quick thanks. Chloe took a step away from him, turning her body as she did so, but Mickey reached out and grabbed the sleeve of her relaxed blazer. "Chloe?" he asked, tentatively stepping into a realm which he'd never dared to enter before. She stopped and turned slightly toward him, her shoulders hunching forward a bit as she did so. Her long blonde hair swirled around her shoulders and her azure blue eyes locked on his deep green ones, curiosity transforming the features on her face. "You okay?" he asked, taking the step before he had the chance to decide to back off. Something personal was bothering her. Normally they were open with emotions regarding cases, both of them aware that it would make the partnership that much easier. Especially after all the trouble, communications and such, that they'd had in the beginning. Her face did another transformation, right before his eyes. He didn't think it was possible for one person to be able to completely mask their feelings, but Chloe had done just that. Her eyes lost their light, leaving him with a weird feeling, and her face grew slack, her jaw loosening. "Oh yeah, I'm just tired," she lied. Mickey nodded, willing to let it go. He wouldn't press. Her business was her business and it didn't concern him, although he definitely was feeling the effects, until it began to mess with their cases. He let go of her sleeve and watched as she completed her turn and stalked away from him, down the hall. ----- They reached the office and silently waited, after knocking, to be admitted. The man inside looked up and the smile that had been on his face spread into a full fledged grin. Mickey thought it odd, but filed the thought away as inappropriate. He waved them in and stood up to offer them a chair. Very gentleman-like. Mickey smiled and put out his hand as Chloe seemed to ignore the man, taking her seat. "Special Agent Michael Callavelo," he said. The man had a firm grip. "And my partner, Special Agent Chloe Grant..." Mickey found himself trailing off as he noticed that Chloe had turned her head away from the man who had returned to his desk. He perched on the edge with both hands gripping the small lip that existed where the top of the desk met with the sides. "Agent Grant and I have met," Agent Shane said. Mickey's eyes narrowed at his partner, while he carefully added two and two together. Met before, but what else? Mickey also filed that thought as he nodded toward the agent who hadn't bothered to introduce himself. I guess he assumed I'd know who he was, Mickey thought. Still, it's no excuse. It's kinda rude. This coming from the guy who has no tact when it comes to diplomacy... "I see," Mickey said, glancing at Chloe. She'd finally shifted her gaze to face the man before them, but she wasn't looking at him. She wanted to appear as though she were, but she was actually looking past his shoulder. "So, you're aware of the case--" "No, actually, we're not. Your office didn't send specifics," Chloe cut in, startling both Mickey and Shane. Shane recovered quickly, his eyes narrowing at Chloe. "All right, I'll tell you what," Shane pushed away from the desk and walked around to open a drawer in the desk. He pulled out a fat red and white striped case file and plopped it down in front of the two agents, who had to pull their chairs up so that they could look at it. "Take a look at this, and I'll give you the basics." Mickey watched his partner dig in to the case, noticing that she seemed so uncomfortable that he hoped the SAIC would finish explaining as quickly as possible and let them alone. "There have been two murders so far. Funny thing is that the bodies are...I can't explain it. Apparently neither can my forensic pathologist. Oh hell." He sat back in his chair and ran a hand through his thick dark hair. "These bodies seem almost to be turned to sodium bicarbonate. It's weird, like the person was made from baking soda or something that was lumped together to create a terrible likeness to a human being. It's the craziest thing I've ever seen and I can't tell how it could have happened. We can't even really classify it as murder. I mean, how do you do that to someone?" Mickey watched as the man's expression turned confused. He scratched his head and finally sat forward, steepling his fingers to form a point. He narrowed his eyes at the agents before him. He took a deep breath. "We'll see what we can do," Chloe said, hastening to stand. She got a step away from her chair, Mickey staring oddly at her, when Shane called her name. "Agent Grant, I'd like to speak with you in private," Shane said. Mickey watched as his partner's back suddenly straightened and her hands made fists at her sides. She nodded, almost angrily, and sat stiffly back in her chair. Mickey stood up and offered his hand to the agent again. As he slowly made his way to the door, he decided that maybe these two should really try to work out whatever differences they were having. As long as the case went smoothly, Mickey didn't care if they screwed each other silly on the desk in his absence. Okay, Mickey, that's drawing the line. He did care, but it was none of his business and he was sure Chloe would prefer that it stayed that way. Glancing down at the case-file in his hand, Mickey asked the secretary where the library was, leaving a message with her for Chloe that told her where he was headed. ----- "Chloe..." said Nick, sounding apologetic, giving her that look that had been known to turn her stomach to the consistency of melted ice cream. The look that was usually followed by "I'm sorry", a kiss, and a wild night in bed. But he stopped there. Chloe shook her head, looking down at the dirty floor and then looking back up at him. "What did you want to see me about?" she asked, not letting herself be emotional. "I wanted to--" he stopped again. It had to be a show, she thought, watching him warily, the Nick she knew was never at a loss for words. Never. "Chloe, you look like you're mad at me and I--" Another pause. Nice effect, she thought, struggling to distance herself, it sounds almost sincere. "I guess I deserve it, but I don't want it to get in the way of the case." "Work first, that's how it always is with you," she said and congratulated herself on not sounding angry or catty. By the time this damn case was over, she'd either deserve an Academy Award or have a nervous breakdown, she thought. "Right, Partner?" His lips twisted in a wry smile at her words. He was remembering, and she was trying hard not to. "I have feelings about you still, and I'm sure that you have them for me," he said diplomatically, in a 'lets be friends' kind of way. "But we have to put them aside in order to solve things. This--" He raised his hands in a gesture that reminded her of Mickey, "Isn't getting us anywhere. A man is dead, Chloe!" And so will you, she thought, but then pulled herself out of it. She nodded. "Of course," she said coolly. "Can you trust your partner?" His question came out of nowhere. "What?" she asked, shocked. "Can you trust your partner?" "Yes, what makes you ask?" Chloe responded. A second later, all the blood rushed to her head as she felt waves of fury wash over her. He thought she was sleeping with Mickey! He thought she slept with every damned man she was assigned as partner to! Nick--Nick!--the one who she'd caught with a bimbo in their bed, thought *she* was a slut! She opened her mouth to rip into him, but he was too fast for her. And his answer wasn't what she was expecting. "You were on the fast track before these X-Files, Chloe. Did you know that?" Nick said quietly, the softness and the emotion she could hear him holding back drawing her in. She looked at him, meeting his eyes, and put her anger aside for a moment. She shook her head no, she had no idea what he was talking about. "I didn't think so. Everyone was envious of you. Rumor had it you might be able to make ASAC in under two years. And then Robin turned you to the X- Files, and you went. Giving up a lot. And I always thought- -I wondered if it was because of me. Because Chloe, if it was--" So that's it, she thought, setting her chin stubbornly a notch higher in the air. "I like the X-Files. It's where I want to be. With Mickey." Let him think what he wants, she decided, trying to convince herself she didn't care. Nick nodded, and his eyes were strange. Chloe didn't recognize the look. It was dark, brooding. Almost dangerous. He'd changed. New York would do that to a person. The memory of all their conversations about it came flooding back, their excitement over their promotions, of going to a new city, all the plans they made...so quickly crumbled. "Here," he said, putting the file into her hands, standing very close to her. Close enough for her to feel his essence, and to breathe in that familiar cologne. She looked up into his eyes--he was taller than her and she'd always liked that --and for a moment, it could have been the old days. She found herself holding her breath, thinking that if he didn't kiss her, she was going to have to. Like their first kiss. And like their last, actually. Chloe took the file and walked wordlessly out of the room. Nick watched her until she was out of sight, and even after, he stared, lost in thought. "What did he want to see you about?" Mickey asked, carefully, thinking: tact. Remember, be nice. He was standing on the curb, still trying to get a cab, when Chloe emerged from the building. Somehow he'd thought their meeting would take longer. Chloe shrugged, her eyes changing as they had earlier when he'd asked her what was wrong. Closing herself off, shutting him out. She shook her head and stepped out between the parked cars into the street. A cab came screeching to a stop, and she hopped in. She grinned at him with that smile he'd thought she'd lost. "*That's* how you get a cab," she said with a jaunty wink at him that made him feel very relieved. Until he lost her to that weird blankness a moment later in the cab, as she remembered one of her conversations with Nick about moving to New York. Mickey felt his stomach heave a moment before he even opened the door and went into the morgue, and he felt the look that Chloe gave him. Just thinking about dead bodies made his head swim. She clapped him on the shoulder reassuringly and strode past him, over to the big metal locker where their victim was housed. She glanced at him, her hand on the drawerpull, to make sure he was ready. And then she opened it. Chloe knew Mickey was embarrassed about his aversion to dead bodies, but Chloe thought it was cute. She liked Mickey, a lot, as a person and not just as her partner. Mickey waited, concentrating on drawing steady, even breaths to fight the nausea welling up within him. Chloe didn't look down at the body right away. He was watching her to avoid looking at--thinking about--it. Mickey always thought of their victims as "it," especially when they were in the morgue, because if he thought of it as a person he knew he'd be flat on the floor in seconds. He began to ask himself how he could stand pulling the trigger on the firing range, or cleaning up a big bloody wound, or even eating his sister's cooking and not stand dead bodies when the movement of Chloe's arms caught his attention. She'd fished a butterfly hair clip out of her pocket and raised her arms up over her head to twist her long blonde hair into the fastener. Mickey looked at her and found himself entranced, unable to look away. Her arms were slim and strong and slightly tanned, even though it was the dead of winter as she knotted her hair and clipped it. Immediately a few strands slipped out and fell around her face and Mickey had to ask himself why his heart was beating so fast all of a sudden. This was just Chloe. His *partner* Chloe. His heart shouldn't be racing the same way it had in fourth grade when Anita Chisholm beat him at the foot race and then put a frog in his lunchbox. But she was a lot like that grade school crush, he realized. She was smart and funny and goofy and strong. And he liked that. Chloe, oblivious, turned her attention to the body, or what had once been a human body. It looked more like an ornately sculpted sandcastle, only it was pure white. And the details were too good. She leaned in, touching it, and crystals came away, clinging to her gloved fingers. "Mickey, look at this," she breathed in wonder, all of her other cares and worries forgotten. Taken off guard, Mickey looked. And saw a big clumpy chunk of what looked like white sand. That had obviously recently been a human being. Pieces of it, like grains of sand, clung to Chloe's fingers. His stomach convulsed as he gagged without even a second to think to fight it. Instantly weak, he went down on his knees, and was sick on the floor. A moment later, as his eyes were still closed while he tried to come back to normal and not think about what he'd seen, a strong hand closed over his arm and another firm, warm hand brushed the clammy skin of his forehead. Chloe. "Up and at 'em, Big Boy, there you go," she said as she helped to haul him to his feet. He felt feverish and dizzy and most of all, ashamed as he opened his eyes and looked at her. "Okay now?" she asked, searching his face carefully. He broke away from her and wiped his mouth with the back of his hand. He turned away, feeling the heat rising up in his face. He tried to think of something witty to say, to smooth it over, but he was too mortified. "The bathroom's through there," she said, close to his ear. She touched his arm reassuringly again and he cringed. "Mickey," Chloe said, coming around to face him. "It's okay," she told him with a smile. He nodded, feeling slightly more at ease when he saw that smile. She was his partner and his friend. She understood. It was all right. He nodded and went into the small room, closing the door firmly behind him. Chloe looked at the door. When would she ever learn? she had to ask herself, shaking her head as she returned to the body. "You're cleaning it up!" she called to him and she thought she heard him laugh. The body was a real puzzle. She had no idea what might have caused this, and the file they'd gone over in the cab had lent no possible explanations or clues. And how did one conduct an autopsy when the subject had effectively turned to dust? Chloe snapped a few pictures--Mickey did better with Polaroids than with the real thing--and then began to poke about at the body, even though she was not in any way authorized to do so. A little forensics in school and a bit of pathology in her time on the X-Files didn't count for much officially. She found that the degree of damage was the worst on the outside. The grains and clumps were bigger, less fine, harder to brush away, once she got past the first layer. Most of the organs seemed to be petrified into this dust on the outside, but still a little mushy on the inside. She frowned. The damage had come from an external source, apparently, but it didn't make sense. Heat couldn't do this. And a blast of some other sort would strike only one side of the body, wouldn't it? she reasoned, yet the outer shell of the body was equally affected in all areas, back and front, including the soles of the feet and areas that would have been covered by clothing. It was like a marshmallow roasted over a fire. Or like a person turned to stone. Chloe's thoughts couldn't help wandering back to Nick as she stood and tried to concentrate on the body before her. He'd asked her if she could trust her partner. There had to be a reason for him to ask her that, she thought. At first, she'd thought his intention was to hurt her. Now...now, looking at the body, she wasn't so certain. "Chloe!" The touch of Mickey's hand on her arm brought her out of where she'd been lost in thought. "Sorry," she said, focusing on his face. She could trust him, she thought, looking into his green eyes. Of course she could. "I'm going to take a walk--get some air, clear my head," Mickey said. "I'm not finished here--" "I know," he said, anticipating her words. "I'll meet you back at the hotel for lunch, okay? A late lunch?" Chloe nodded and diverted her attention back to the body again. Mickey stood and watched her for a moment longer, wondering what was wrong and unable to ask her. Silently, he slipped from the room. The city was cold and noisy around him, the crisp air cutting right through the fog and lingering nausea he felt. He stood on the sidewalk and took in a deep breath of air, savoring it. City air. Reminded him of home. He rolled his eyes at the ridiculousness of his thoughts and began walking quickly through the streets, the exercise more important to him than the sights he was passing. Up ahead of him, he noticed a woman in a long black coat walking swiftly, dodging between pedestrians with ease and agility. There was something about her that was different, something that he couldn't put his finger on that caught his eye. Intrigued, Mickey started following her, making it almost a game with himself to keep his thoughts busy. She stayed well ahead of him and the fact that he couldn't catch her made the game all the more fun. She snuck a quick look back over her shoulder at him and he got a glimpse of a regal profile. Her pace quickened and Mickey stopped where he stood. What are you doing, Mick? he asked himself, following a woman in the big city? Not smart, buddy, not smart at all. He watched her hurry away and wondered what he could have been thinking. Finally he turned to go back the way he had come. And ran straight into a pair of hoods. These guys were scary. Not only were they both bigger than Mickey, their clothes were dirty and they smelled bad and their eyes were bloodshot. "Wallet. Now," said one of them, while the other spit on the ground. Mickey's heart pounded and he took a second too long deciding what to do. "NOW!" screamed the mugger, smashing Mickey upside the head with his fist. Blood and pain obscured his vision, but instinct kicked in. The man who'd punched him was on the ground screaming for mercy in a moment. Mickey placed one foot squarely on the man's back and looked the other mugger right in the eye. The man looked back at him and then noticed that Mickey had a gun strapped to his side. He nodded to Mickey and slowly began to walk away. "I'll get you, man," Mickey heard him mumble and although he knew they were nothing more than idle words from a defeated hoodlum, they still sent a chill up his spine. Reminding him how his reaction could have backfired on him. "Are you all right?" The woman's voice was cool, well- modulated, and Mickey looked at her in surprise. His notion of New York City was of a cold place where no one would stop to help a stranger. Especially when that stranger had recently been stalking you, even if he hadn't intended to. "Fine. Thanks," said Mickey, wondering what this woman thought she could have done. She was a few inches shorter than him, about five-six, and slender. Her thick dark hair fell down over one side of her face, covering it entirely, and she looked at him with direct, beautiful light hazel eyes. "So much for life in the big city," he said, because he had to say something. "You're not a native New Yorker," she said. "Neither am I." Mickey smiled. "Is anyone?" "I guess not," she replied and cast half a smile back at him. "Michael Callavelo," he said, thrusting his hand out for her to shake. "Mickey, actually. Nice to meet you." "Purity," she said, and he thought it was an unusual, yet somehow fitting name. "Nice to meet you." As she spoke, she tilted her head to look up at him and shook her hair back. That was when Mickey saw that the side of her face was covered in scars. He didn't allow himself to react, didn't allow his gaze to waver from hers. He passed her test, and a moment later she took his hand and shook it. Mickey wondered what the hell had happened to her. "Do you want to...maybe...get some coffee?" he managed to ask. Her focus had shifted from his face to a point in the distance behind him, and fear made her eyes turn dark. She dropped his hand and took several steps back from him. "Run," she ordered quietly, meeting his eyes again. Mickey could only stare at her as she turned and ran. He looked back over his shoulder and saw three large, strong men in black suits running in his direction. All three of them had guns. Two of them were silenced. Mickey had the idea that his badge wouldn't impress them, so he ran in the opposite direction from the men, wondering if he would ever see the woman again or learn what her story was. ----- Chloe emerged from the morgue a few hours later, not really feeling up to the long library session that the afternoon promised her and her partner. She felt tired and cranky and frustrated, and she knew it didn't all come from the case. But she refused to think of Nick, thinking instead that she'd like to go running again. It was the only thing that would even come close to satisfying the restless ache she felt inside her. But she knew she couldn't run away. Figuratively, or literally. The fact it had even occurred to her made her even more angry with herself. All she wanted were answers, and as usual, there were none to be found. How could a person be turned into dust? *Why* would a person be turned into dust? How could Nick have done what he'd done to her? Stop! Chloe told herself, gathering her thoughts for a moment before pulling open the door to the lobby of the hotel. She scanned the room for her partner and didn't see him, so she started for the stairs. "Chloe." Seemingly from nowhere, a man materialized in front of her. Her head jerked up and she saw Nick. Her jaw clenched in anger before she even realized it. "What are you doing here?" she asked, unable to keep her irritation from showing. "You saw the body," Nick said. Chloe nodded, not looking at him. "We have to find out what's doing this. You've been working on the X-Files for months, do you have any idea--" "No," she said and started for the stairs. Where's Mickey? She wondered, wishing her partner would hurry up and arrive. She stopped herself and looked at Nick. He was helping her on this case. She couldn't ignore him or walk away, no matter how much she wanted to. Professional, she reminded herself. "I've never seen anything like it." "Where's your partner?" Nick asked. "He should be here any minute, I'm meeting him for lunch," Chloe said, finding it interesting that Nick seemed to have some trouble bringing himself to use Mickey's name. "Mind if I tag along?" he asked honestly. "Why should I mind," said Chloe and he didn't answer. She knew he was looking at her and refused to acknowledge it. The silence between them stretched and they sat down in the plush lobby chairs to wait for Mickey. ----- Summer house Quontochataug, RI 12:32 PM Samantha looked across the table at the older woman seated there, who was staring sadly out the window at the ocean. Sam looked down at her empty plate for a moment and fiddled with her milk glass and then looked back at her mother. Fifty five years old, with white hair and striking blue eyes, Mrs. Mulder looked tired and sad. Sam wondered what she could say to make her feel better. "I guess it's not the season for a summer house," she tried, but her mother didn't take her eyes from the window. Sam sighed softly and moved her milk glass again. This was weird and she didn't like it. When Chloe and Mickey told her she was going to stay with her mom--or her 'grandmother' as she had to call her when other people were listening so that they wouldn't get too confused or too interested--Sam had been excited. And she'd thought her mom was, too, when she said they were going to the summer house on Rhode Island. Sam barely remembered the small cabin overlooking the water. She thought she'd seen in her dreams a couple of times, having picnics and playing in the sand with her brother Fox. But she didn't remember very well. She looked at her mom again and knew that she remembered it too well. "I think I'm going to go out to play now," Sam said and got up from the table. She didn't expect her mom to say anything, just to let her go. But Mrs. Mulder roused herself from her thoughts and looked directly at her daughter. Sam stopped where she stood at the intense look in her mother's blue eyes. "Be careful, Samantha," she said softly. "Your brother isn't here to look after you." Sam nodded. "I will, Mom," she said and smiled. "I'll be back in a little while." "Don't stay out too long. It's colder than you think out there." Sam nodded again and let the door bang shut behind her. Just as she had always done. ----- Metro Hotel NYC, 2:45 PM Mickey hadn't shown up, and Chloe and Nick were still sitting in the lobby waiting for him. Their silence hadn't lasted, although neither of them were looking at each other. "Have you consulted with Agents Mulder and Scully on the case? What do they say? Has there been anything like this documented in the past?" Nick asked Chloe. A smile threatened to break through. "Agents Mulder and *Mulder* are on their honeymoon. I didn't want to bother them. But I checked and there haven't been any cases of sodium bicarbonation lately," Chloe answered. She could feel the look Nick was giving her and fought not to smile. "Maybe you should call them." "They'll be back in a couple of days, Nick. I know what I'm doing, I can handle it!" Chloe cried, perhaps too loudly, she thought, noticing the other people in the lobby glancing in her direction. "You can't even keep track of your partner!" Nick cried. "Guess I've always had that problem," Chloe muttered and she knew he heard her. "Phone for you, miss," one of the desk clerks came over to them to announce. "That's got to be Mickey," said Chloe, wondering why he hadn't used his cell phone. Oh shoot, she thought as she patted her pocket and realized her phone must be up in her room. She followed the desk clerk to the house phone and picked it up. "Chloe Grant," she said. "Where in hell are you?" "Excuse me?" Chloe said, her eyebrows going up. She recognized Fox Mulder's voice, but not why he was speaking to her that way. Nick had sensed something was wrong and he was walking over to her. "I trusted you," Mulder said. "What--?" Chloe didn't understand and she didn't like this. Her pulse was pounding and she was scared. This was not like her boss, her friend. "I don't know what you're talking about," she said, trying to reason with him. "I'm in New York, Mickey and I were called out on a case and we--" "I know where you are. I just want you to tell me where my sister is!" "We left her with your moth--" "I know you left her with my mother," Fox snapped. "She's gone." "Your mother's gone?" Chloe asked, dread filling her stomach. The line went staticky for a moment. "Samantha. She's gone. Again." Mulder said. The 'and it's all your fault' was merely implied. Chloe didn't know what to say or do. She felt as though she'd had all the wind knocked out of her. She felt tears burn in her eyes and Nick's presence beside her. She swallowed hard and forced herself to be strong. "Let me talk to Dana," she said. ----- Dana Scully Mulder took the receiver from her husband's hand, holding it lightly while she stared at him. She was angry with him. Angry for several reasons. The first was the fact that he was apparently blaming Chloe Grant for the disappearance of his sister. She glared at him, the look on her face clearly saying 'How dare you?' Chloe must've felt horrible after the way Mulder had spoken to her. Dana herself was feeling uneasy about the whole situation. She'd only heard half of the conversation, coming into their suite a few minutes before, with an armload of takeout cartons. Bringing the phone to her ear, Dana mouthed the words, "We're going to talk," before lowering her eyes. "Scully," she said, using her maiden name for the first time in a long time. She needed to use it in order to convey her feelings to Mulder--telling him exactly how upset she really was. Chloe was thrown off, perhaps a little confused. "Dana," she said quietly. "What the hell is going on?" "It's okay, Chloe. Mulder and I will deal with this ourselves. Try not to worry too much. I'll call you as soon as I hear something, okay?" There was a slight pause as Chloe tried to sort out the mixture of emotions that were running through her. Scully only had sympathy for the young woman. She had no way of knowing exactly what Mulder had said to Chloe before she had come in to hear the last accusing phrase. Dana wanted to deal with Mulder as quickly as possible, therefore saying a quick goodbye to Chloe, before the agent could ask more questions. ----- Dana's words offered absolutely zero comfort. "Mulder and I will deal with this ourselves," Dana had said. And she'd used her maiden name. Chloe Grant fidgeted nervously, feeling her stomach turning in turmoil. Samantha--Sammi missing? The very thought made Chloe feel as though she had lost a sister or something. A moment later, Chloe became aware of how extremely close Nick was standing to her. In that very moment, she could feel herself losing control of her emotions. Too many things were happening too quickly and Chloe was at a complete loss. "Chloe, what was that all about?" Nicholas Shane, always picking up easily on the way she felt. The only man who'd ever been able to guess her expression. The only one to see her feelings in her eyes. The only man she'd really loved. "I can't explain it," she mumbled. "I don't want to talk about it." She started to turn, but he took hold of her arm. The cold look she gave him didn't make him release her. "I'm sorry if I suggested that you were incompetent, Chloe," he whispered. His eyes were locked with hers and she found herself entranced. She couldn't have looked away, even if she'd wanted to. She listened as he continued, "I want us to be able to trust each other again. I've been thinking about you lately--" he paused, taking a deep breath, "Look, Chloe, we've got to be able to share things and not only about this case--" She couldn't take it any longer. "Nick, what we had has been destroyed." "Chloe, don't say that." "What are you trying to say, Nick? Are you trying to say that you want to try again? Are you asking for my forgiveness? Because if you are--" Chloe was cut off. The soft touch of his lips took her completely by surprise. She began to struggle, but Nick had already taken a firm hold on her waist, deepening the kiss. To her utter shock, Chloe found herself responding to the familiarity of his embrace. She pushed all thought from her mind, lingering only in the most solid thing at her disposal. Nicholas Shane. For a moment, he was both reliable friend and trusted lover. Then it all came to a screeching halt. The kiss broke and with it the spell that Nick held over her in those few seconds. "Don't you *ever* do that again!" She meant her voice to sound exasperated and angry, but she saw that he knew she wasn't completely sure of what she wanted. Setting her lips in a tight line, Chloe turned from Nick and walked away. She had better things to worry about right now, like the disappearance of her partner. ----- Michael Callavelo could feel his legs pumping to their fullest extent. He was thankful that, like Chloe, he usually went for a morning run. It at least kept him in shape. Even though he hated running. He could see the woman yards ahead of him, her long black coat billowing around her as she ran. She was surprisingly swift footed, making Mickey wonder if he'd ever catch up to her. A quick glance over his shoulder showed Mickey that the thugs were catching up to him. Instantly he knew his mistake: too quick at the start off. He hadn't paced himself and had already spent all his energy. He became conscious of his labored breathing and the sting of his lungs as they struggled for more oxygen. His steps faltered, slowing. "Come on!" a distant voice called. Purity had stopped her flight and was standing impatiently waiting for him. She gestured with her arms, as though he'd gain breath from the flapping. Mickey picked up his pace, oblivious to the pain in his chest and legs. As soon as he neared her, Purity resumed her quick retreat, beckoning him to follow. She disappeared into an alley. Mickey followed. Rounding the corner, he saw a dark colored sedan parked there. He watched the woman slip through the door, seating herself in the driver's seat. She continued to flap her arms, indicating that Mickey should get in the car. She leaned across the seat and opened the door for him. He slipped in and leaned back, his gasping turning to a slight wheezing noise. "Hold on," she said. He didn't even have a chance to register the command before she had the car in gear and was pulling out of the alley. Mickey glanced over the woman, towards the direction from which they had come. The men that had been chasing them were a few steps from the opening of the alley. Pressed back into his seat, Mickey felt sick when they fishtailed out of the entrance. For an instant, he was reminded of the car accident that he and Chloe had been in during their first case. He was not ready to relive that, closing his eyes instead and gripping the handle beside the door. It wasn't until he felt the speed of the car slowing that he allowed himself to open his eyes. "Afraid?" she asked innocently. Her voice was quiet, even and caring. Always in control, he thought, amusedly. "Not of you," he answered truthfully, "them." She didn't say anything, her smile just made him comfortable. It wasn't as though he were misplacing trust. After all, it might be nice to have someone to talk to considering Chloe was all wrapped up in her own personal problems. Affecting to the case as it was, Mickey found himself easily forgiving his partner. He grumbled something else, unsure of what to say to this stranger. "Still up for coffee?" she asked. Mickey was relaxed, but concerned. What had those men wanted and would they try to go after Chloe too? An overwhelming fear overcame him and he pressed his back into the chair, rubbing his temples. "Look, I hate to do this to you after you've just apparently saved my ass, but my partner could possibly be in danger--" "Partner? What are you, a copper or something?" "Close," Mickey blushed a bit, remembering his father. He'd been part of the Chicago PD. Copper, that was putting it mildly, he thought. "I'm with the FBI." "FBI? Ooch. So, what were those guys after?" The question was asked in innocence, but Mickey wasn't sure just how much he could reveal to this stranger. "I have no idea," he answered. And it was the truth. He'd only assumed they were part of the clan of muggers he'd recently deterred. The more he thought about it, the more the unease grew. They definitely weren't part of the same clan. Had it something to do with their recent case? "Have you got a cellular phone I could use?" Without answering, the woman handed him an expensive piece of electronic art. This top of the line phone had Mickey confused for a moment. "Punch in the number, then hit send. Just like any other phone," she said, a smile touching the corner of her mouth. He was glad that he couldn't see the left side of her face, because he was sure that the smile would not have looked as charming if the scars obscured it. "Thanks," he said as he followed the instructions. He waited for Chloe to pick up the phone. After ten rings, his fingers began to shake. ----- Nick Shane watched Chloe retreat for only a moment before he was distracted by his cell phone. The brief conversation, with one of his agents, left him feeling giddy. He started after Chloe, already knowing what room number she was staying in. He hadn't known why he checked, but he had. Sometimes he did things on impulse. Especially when it came to Chloe. She was so perceptive, so in tune with the things going on around her. Except lately. Lately she'd been fighting inner turmoil. Most of it was, understandably, because of him, but some of it had to do with her partner. A bloody Geno. A good looking Geno. A jealousy-invoking Italian boy. Nick forced those thoughts away. It would be hard enough to earn Chloe's trust again without getting jealous over some wussy. And he would earn her trust, even if it was just to get through this case. This case would put him on top, regardless of whether Chloe was along for the ride or not. The elevator ride was calming on his nerves which seemed frayed and at their max. What he needed was a good strong cup of coffee, however, from the report he'd just received that wouldn't be forthcoming. He had to get Chloe and head over to the newest crime scene across town. ----- "Mulder," said Dana as she hung up the phone, and turned to her husband. Instantly she saw his eyes change, the anger in them growing cold as he closed himself off from her. Her heart sank, thinking that she'd said and done exactly the wrong thing. She reached out for him, thinking that her touch could smooth things over, but he'd already walked away from her. "Fox," she said, softening her voice, but not letting go any of the seriousness. He continued to stare broodingly out of the window at the dark storm clouds. "I don't think you were right to speak to Chloe that way." Silence. Nothing from him. Damn it. "This isn't her fault." Mulder whirled on her, fury in his eyes. "You're right," he snapped and Dana's heart started beating faster with fear. She had only seen Mulder like this a few times, and this was the worst. "It's my fault." He grabbed his tote bag from the end of the bed and stomped toward the door. Dana was closer and quicker and she blocked it with her body. "Where are you going?" "To find my sister." His dark look warned her to get out of his way. Dana forced herself to breathe, and it was hard. The pause between them seemed to stretch forever and she wondered if he would really knock her to the floor to get out of the room. "What about me?" she asked finally, softly. Mulder crumpled as though she'd punched him in the stomach. Instant tears flooded his eyes and his bag dropped to the floor. He didn't say anything, just stood there looking brokenhearted. Dana felt her eyes burn at seeing him so vulnerable and so hurting. She reached up and touched his face and he moved into her caress as a flower follows the sun. Dana wrapped her arms around her husband and felt him shake against her. "It's all right," she murmured into his ear, "We'll find her. Together." Her words made the world of difference to Mulder, who continued to wonder if there was really enough room in Scully's heart for both him and Samantha. He felt like a dog for having doubted her, again. He squeezed her against his body, tight, hard enough to feel her heart beat, the life flowing through her. She was real. And she loved him, he had to remember that. Dana hugged him back and then released him. Reluctantly, he let her go. "Come on," she said, picking up her bag. "We'd better get moving." Mulder watched her move past him out the door, amazed and awed by this woman he loved. Then he followed her. ----- Chloe was doing sit-ups in her hotel room, trying to relax. What had she been thinking, letting Nick kiss her? And liking it? She rolled her eyes and got up. She couldn't think about that now. She grabbed the case file and sat down on the bed, nudging her bag and her cell phone out of the way, sinking into concentration. The knock on her door thirty seconds later surprised her. Chloe frowned as she rose to answer it. Mickey, she thought. About time. She opened the door. "Nick? What the hell are you doing up here?" she demanded, "Are you following me?" The words sounded harsh even to her own ears. Great way to show you're over him, Chloe, she thought. "There's been another death," Nick said, completely professionally. "Where? When?" asked Chloe. "Come on," he said, taking her arm. She began to go with him, but then stopped and pulled away. "Mickey," she said. Nick shook his head slightly. "I tried to call him, but...no answer. Guess you're not the only one who forgets their cell phone," he said, his eyes going to her phone which lay on the bed. Chloe hesitated, then darted back into the room to get her phone. "Okay," she said, "But we'll leave him a message in the lobby. He should be back here any second." Since he was supposed to meet us an hour ago, she thought, but didn't let it show. "Are you sure you don't just want to pop next door and leave a note on his pillow?" Nick said and regretted the sarcastic words the moment they were out of his mouth. Chloe's eyes narrowed at him and she snapped, "Maybe I'll do just that. Except I don't have the key to the door." "Chloe, I'm sorry," Nick said, reaching for her arm, but she moved out of the way, crossing her arms protectively over her chest. "I didn't mean..." "Yes," she said, "You did. Come on, there's a body out there." ----- "Seems a little strange to be going for coffee after almost being mugged and then chased by thugs," Mickey commented, feeling ill at ease in the crowded, noisy coffee shop. "Welcome to New York," Purity told him lightly, sipping at her cappuccino. Mickey glanced down at his plain coffee and felt like a boring, gray-suited government official. Which he was. "You don't know what those men wanted?" he asked, watching her face. Her eyes changed as she silently shook her head no. Something like fear crossed them, a fear so strong she couldn't hide it. She knew something that she wasn't telling. Mickey was sure of it. *But what?* he asked himself. There were no answers. Chloe would know if she were here, he thought, she always picked up on things like that. Mickey noticed the mysterious woman across the table from him watching him, so he looked up and smiled, a little embarrassed to have been caught so lost in thought. "So..." he said, wishing he were better at small talk, "What do you do?" "I'm a flutist," she replied, meeting his eyes coolly. "I play with the symphony on weekends, and during the week I work with a chamber group." I hate small talk, Mickey thought, nodding interestedly. "So how'd you get into that?" he asked. She shrugged and sipped her coffee, not answering. Her eyes were clear when they met his. "You don't like questions," he said, getting the message. She didn't respond at first, and then her lips curved up alluringly in a small smile. "The air of mystery is very important." "I'll bet," said Mickey, without thinking. "You like mysteries, you're an FBI agent," she said and he realized she was teasing him. He laughed, feeling a little embarrassed. "Yeah," he said. The conversation died and he searched for something to say. "How do you like your coffee?" she asked, watching him drain the mug. "It has an interesting taste to it," Mickey admitted, thinking he was probably just too accustomed to Bureau coffee, which was the nastiest stuff on the planet. He seemed to remember Chloe had even offered to analyze some for him, while she drank a nice safe cup of tea. "They have a special brew," Purity said, and smiled at him again. Something about that smile, Mickey thought, but he couldn't put his finger on it. He seemed to be having a hard time focusing his thoughts. Strong coffee, he thought, but then noticed he was having a hard time focusing his vision, too. "What--?" he started to say, but then the room began to spin and he found it all going very dark. ----- "Nice place," Chloe commented tightly, too conscious of Nick standing directly behind her, almost touching her but not quite. "You could do worse," he said, flipping the light switch. The bare bulb in the center of the ceiling had been covered with red cellophane, lending a sickening glow to the crime scene. The black leather of the sofa and the fluorescent painting on the wall seemed to be stained with blood. "Turn that off," Chloe said. He looked at her, but he did. She felt uneasy, not just because of him, but because of the bodies. Because there was no blood. Just a white crystalline substance in the form of a human being in the middle of the shag carpet. It would, no doubt, prove to be sodium bicarbonate, just like the other. The victim was a male, with a pair of white starched boxer shorts down around his ankles. It looked to Chloe as though death had to have been practically instantaneous, and he had fallen backwards onto the rug after crystallization, which would account for the bits that were scattered around him. Impact crater. The uneasiness in her stomach was beginning to give way to the excitement of being on a roll, that feeling that at any second, the next thought would be the one that cracked the case. Chloe moved in closer. The other victim hadn't fallen over. It was a woman, thin, in underwear. She was on her knees, in front of where the man had been standing. Her head was gone. "Not your usual dead-john-dead-hooker scene, is it?" commented Nick wryly. Chloe turned and looked at him. For a moment, she'd almost forgotten his presence. "No," she admitted. "Any thoughts?" Nick shook his head, and he looked angry with himself for not having any insight. "It's different from the last victim," Chloe said. "You have to wonder why the change." Nick said nothing and she looked at the bodies again. "Why the killer took the head." Still nothing from Nick. "That was your cue," she said. "For what?" he asked, his eyes riveted to the scene. "I don't know," she said, crossing her arms and beginning to walk in a circle around the strange tableau. "You're pretty intuitive, you're usually able to come up with a good theory quickly," she looked into his face again, but kept walking, "Unless you've changed?" "Only for the better," he said, smirking, but his heart wasn't in it. She could see that. Something about the crime scene disturbed him greatly, more than he was trying to let on, and Chloe was dying to know what it was. "Come on, Nick, you know something. Clue me in." The rate of her pacing increased, and his gaze never wavered from the figures. "You know something. Is the killer a man or a woman?" "Man, I think." "Why?" "He cut off the woman's head. A woman would have cut off the man's head, probably mutilated the body, too." "Okay--motive?" "I don't know." Nick's voice was shaking. Chloe's stomach turned over, but she vowed not to let him affect her. She walked faster around the room, trying to see it from every angle, trying to pick up something she'd missed, the killer's viewpoint or at least the frenetic energy that accompanied the urge to kill. This was a serial killer; he had to enjoy what he did. "He must've had a way to carry out the head," she said. "So he must have planned to do it this way." "Brought it with him. Bowling bag, maybe." "You think he's a bowler?" Nick shook his head quickly. "Right size, right shape." "Why did he take the head?" "I don't know." "How did he do this?" Silence. "How'd he do it? Nick?" "I DON'T KNOW!" Nick shouted at her, then turned around quickly, tearing his eyes from the scene and grabbing her arms, stopping her walk. "Stop it, Chloe." Her eyes were wide on him. "Okay," she said amiably. They looked into each other's eyes for a long moment, both of them breathing hard. He'd been close, she could sense it. But he was afraid. A second later, Nick released her and moved away, dragging the palms of his hands over his eyes and down his face. He was pale, Chloe noticed for the first time, and wondered if it was a pallor from the city. He was working too hard. His head drooped between his shoulders and she could see how tired he was. It couldn't be easy, being in his shoes, she thought. The New York Bureau devoured bright young agents and chewed them up. Leaving nothing, usually. Nothing at all. "Let's get out of here," he said finally, and they went out of the apartment together. In the cab on the way back to the hotel, Chloe phoned the local authorities and gave her okay to remove the bodies, telling them she'd like to view the autopsy. They told her it'd be a couple of hours. She agreed. The cab stopped in front of the hotel. Chloe was a little surprised when Nick made no move to get out. "You want to grab some dinner?" she offered, not even bothering to fight the memory of all the tea and sandwich sessions they'd shared. There was a case to be solved. Nick shook his head. Chloe nodded, feeling foolish for having asked. She was the one who kept insisting it was over, after all. "You look tired," she said, not able to stop the words. "Try to get some rest." Nick nodded, looking into her eyes. Finally Chloe closed the door to the cab and stepped back, watching it glide into the path of traffic. It was dark--when had that happened?--and the smell of snow was in the air. Chloe shivered, suddenly aware that it was cold, and moved to enter the hotel. She pressed the button for the elevator, still lost in thought, and suddenly remembered her partner. Mickey. She checked her watch and reached for her cell phone. He'd better be in his room, she thought, and he has an awful lot of explaining to do. ----- Chloe Grant felt tiny butterflies flexing their wings inside her stomach. Still no word from Mickey and a hell of a headache to boot. Where the hell was he, anyway? Why hadn't he called? Was he in trouble? Questions tumbled through Chloe's mind until she drew a complete blank. At this rate, she mused, I won't even understand what they're doing during the autopsy. So many things were swirling around in her conscience that Chloe didn't know where to start. Where Mickey was concerned, her conscience worked at high speed, not sure what to do about him. When she considered Nick, on the other hand, confusion set in. Finally, Chloe sat on the edge of the bed and flopped back. She folded her hands behind her head and stared blankly at the ceiling. She watched one tiny black mark on the wall, as though she thought it might pick up and move. At least it was keeping her from driving herself insane by thinking in circles. When the little black dot actually began to move, Chloe thought she was already insane. Well, until she realized it was a fly. "God, Chloe, enough of this. Either close your eyes and rest, or go witness that autopsy. Quit trying to make yourself crazy!" she scolded, closing her eyes for a moment. A rest would be so nice right about now. Except the cell phone began to ring. Immediately springing for the phone, Chloe picked it up and promptly said, "Where the hell are you?" There was a startled silence on the other end as the person contemplated an answer. "Liberty General Hospital, ma'am." "Oh," Chloe said, a little embarrassed that she'd assume it was Mickey. At hearing the name of the hospital, though, Chloe felt a terrible sickness tingling in her gut. "Is something wrong? What can I help you with?" "Uh, slow down, ma'am," the man on the phone said, as though she were some hysterical woman waiting for the worst of news. "I'm just calling to report that a man claiming to be Michael Callavelo was admitted a few hours ago under anesthetic. He came out of it and demanded a telephone. Doctors wouldn't allow it because he had no ID. He gave us this number and asked us to see if you'd come down and verify him for us." Chloe thought for a moment. No ID, huh, Mick? She suppressed an ironic laugh. What have you gotten yourself into now? "Yes, I'll be there in a half an hour," she answered and pressed the END button. Haven't you guys ever heard of fingerprints? Lazy idiots. ----- "...and that's how it happened, Chloe. I honestly didn't think she would pull such a nasty prank. I'll tell you, though, it's the best damned coffee I've ever tasted in my life," Mickey explained as they rode in the back seat of a cab. "Well, Mickey, I can't say she really did you any favors. I mean, she's got your ID--" Chloe was silenced when Mickey held up his hand. "Suspicions, suspicions. Chloe, let me worry about my own problems, huh? Besides, I have an idea how to find her." "And that is?" "She said she was a flutist with the symphony." Chloe snorted, she couldn't help it. "If you believed that, Mickey, then you've seriously got more problems than I had at first thought." "Hey, don't you talk to me about problems, Chloe," Mickey said, finally getting his share of sarcasm into the issue, "I'm not the one who can't even handle looking at the AC here." "Don't go there, Mickey, it's none of your business," Chloe said, biting her tongue to keep from having to swallow her foot. "It's none of my business, yet it affects our case beyond belief? I think it's time you set it straight. I can put up with so much beating around the bush, but--" "Oh, that's it, is it?" Chloe asked. "I'm beating around the bush? Really, Mickey, it's none of your business and it'll stay that way. Especially considering you've just been around town all day getting into trouble instead of investigating this case that you're so sure *I'm* messing up." "Chloe--" "I'll have you know," she continued, sharply cutting him off, "that Nick thinks our killer is a male. The last victim had her head chopped off. Nick thinks he carried the head out in a bowling ball bag or something similar." By the time Chloe was finished explaining, they were already in front of the local FBI headquarters, the cab's meter ticking mercilessly away and raising their fare by the minute. Mickey wisely chose to keep his mouth shut. If Chloe wanted to play it that way, he would put up with it. After their first case together, he was sure he never wanted to experience those fights again. Keep it smooth, keep her happy and you'll be happy. That was his motive now. Tread softly, Mickey, she's extremely under the weather here. "Look, Chloe, I'm sorry I didn't meet you today. I know you've got enough to think about lately," he apologized, holding the cab door open as she exited, after paying the driver. "And I think we're going to have to rent a car. I'm sick of taking cabs everywhere in New York. Especially since you risk your life every time you try to hail one." His humor seemed to work, making Chloe's frown turn up at the edges. "Okay. How about you do that while I mess around with this autopsy. I know how much they bother you." She patted his shoulder and started to the door. Mickey watched her until she disappeared into the building, then he turned back to the cab and climbed in. ----- Nicholas Shane was seated in the lobby of the hotel, holding his head in his hands. He wasn't sure he wanted to know how the autopsy had gone, being absolutely positive that they wouldn't find anything new. Why he was sitting in the lobby waiting for Chloe to return was eluding him at the moment, too. He heard the jingling of keys and the heavy footfalls of someone who was just coming in. This late at night there wasn't much traffic through the lobby, so Nick looked up. To his surprise, the five-foot eleven-inch frame of Michael Callavelo was standing over him. "Fancy seeing you here," Mickey said pleasantly. "Yeah. I was waiting for Chloe," Nick answered. "Apparently. Is there something I can help you with?" Mickey was trying to be hospitable without seeming too suspicious. "Has something new come up regarding the case?" "No. No--I would have called right away. I just wanted to know what was up with the autopsy. She--Look, I should probably get going." "Hold up for a minute, Agent Shane. I just returned to get a fresh suit. I kinda had a mishap today. I'm going back to pick up Agent Grant, if you'd like a lift." Nick regarded him carefully for a minute. This dork was Chloe's esteemed partner? Was the man so naive? Nick smiled, nodding slowly. "I'd appreciate that." Nick definitely would have to check out Callavelo's background. How the hell had he managed to make it into the FBI? Maybe, Nick thought, you're just underestimating him. He sure as hell hoped that was the case, because if it wasn't he was beginning to feel very sorry for Chloe. ----- Chloe was circling the autopsy table and annoying the hell out of the medical examiner when Mickey and Nick returned. She was surprised to see the both of them together, not to mention a little suspicious, but she was really glad they were here. She had something to show them and it was easier if they were both there. "Come up with anything yet, Chloe?" Mickey asked, completely avoiding looking at the body. Nick seemed to cringe a bit at the use of her first name, but she chose to ignore him. After all, he had no claims on her. And Mickey could call her whatever he wanted. "You might want to sit down for this one, folks." Chloe gestured for the door, as she peeled off her latex gloves. "What's going on?" Nick asked, as she lead them out the door and down the hallway to the ME's office. Once they reached it, Chloe sat in the ME's chair and made herself comfortable. Putting on the airs of an undisturbed professional, Chloe reached for the top-middle drawer of the desk where she'd last seen the vial. She pulled it out and held it up to the florescent light. "What's that?" Nick asked, leaning forward so that he could get a better look at the contents of the thin, cylindrical tube. It was a bright red, almost a ruby color. "That, my friend, is a deadly poison. In truth, it's got unknown origins. As of yet, anyway. We tested it and it's got the genetic makeup of mammalian blood, undetermined whether or not it's human," Chloe had to stop herself before she slipped into a complete autopsy-report mode. Clearing her throat she continued, "The ME has sent it in for further testing, but we won't know for certain until tomorrow. And that's all she wrote," Chloe finished, leaning back. Her eyes were fixed on the tiny vial and didn't leave it when Nick asked his next question. "Where did you find it?" "There was a little packet of it jammed in the man's throat." Chloe narrowed her eyes when Nick began to laugh. "What's so funny?" "Well," Nick cleared his throat, controlling his laughter, "uh, he was in the position--" "Position?" Mickey cut in. "What do you mean?" "Don't worry about it, Mickey. It has something to do with the way we found the two victims." "Oh, okay," Mickey said, blushing. She'd done it again. One of his vulnerabilities--his sexuality. And she'd hit the nail on the head again. Damn! Mickey hoped to God that Nick hadn't picked up on it, but realized, with relief, that the other agent was a little too preoccupied with studying Chloe's face. In truth, Mickey wasn't sure which he preferred. "A packet?" Mickey asked, easing his mind a bit by turning his attention back to the case at hand. "Was there something on the packet?" "No, but there were tiny holes in it. The stuff was leaking out slowly. I'd hazard to guess that if it touched skin it would be absorbed that way. The ME was just lucky he was wearing latex," Chloe explained. "Well, you know what they say..." Nick began, but the glares that both Mickey and Chloe shot at him, shut him up quickly. "Like a teabag," Chloe added. "Except smaller. It's hard to explain without showing you. Let's just say that by the time we found it there was still a lot of the liquid left. If that helps to explain the details of the bag." "Any ideas where you might get something like that?" Mickey asked, trying to think of the little bag in terms of clues. "Can we look at it and see?" "I wouldn't know where to get something like that. My guess says that you'd have to make it." Chloe stood up and walked around the desk to the door. "Let's go take a look." They followed her back to the autopsy room, where the medical examiner was just finishing cleaning up. He nodded politely at Chloe as she led them across the room. "There it is," she said, pointing at what looked like a small draw-stringed bag. "Jesus!" Nick said, suddenly. "I've seen those before. They're the newest commodity in New York. Little incense satchels. Hang 'em up in your car and they release the scent slowly through the tiny pores. Last for months, those things." "Well, where do you get them?" Chloe asked, hurriedly. This could be the best lead they'd have. "Uhm, slight problem--" Nick stopped and looked at the eager faces of the partners. "You can find them everywhere." ----- T h e X - F i l e s Bed Springs II: Adamantine Poison by Char Hall and Megan Reilly [lazydark@aol.com & eponine@prodigy.net] 8/3/96-10/30/96 ______________________________________________ Part 2 "Then there's no point in even looking into it," said Mickey. Neither Chloe nor Nick looked at him for a moment and he just waited. Feeling as though something were going on between them and he should leave the room. He looked from his partner to the other agent and began to feel more than a little irritated. He was definitely going to have to talk to Chloe about this. "If these things are available everywhere, it'd be looking like a needle in a haystack." Finally Chloe looked at him. "You're probably right," she agreed, her eyes meeting his but then slowly sliding back over to Nick, but only for a second this time. "But I'm going to check it out anyway. Want to come?" Mickey wasn't even certain she was asking him--she was facing him but looking at Nick. But he answered anyway. "I'm sure you can handle it," he said carefully. They had been partners for some time now, he trusted her and her instincts. She *could* handle it. But that didn't mean he wouldn't still worry about her. "I have some other things to check into," Nick said with a shrug. "Right," said Chloe. Mickey would have sworn her shoulders dropped an inch or so at Nick's answer. What was going on? he asked himself, thinking it couldn't be what he was thinking. "See you later," Chloe said and started out of the room. "Chloe," Mickey called after her. "Yeah." "We need to talk later...okay?" he said, wondering if it was the right thing to do. But he couldn't let this go on much longer...something was obviously eating Chloe up inside, and as her partner--no, as her friend--Mickey had to find out what it was. Chloe met his eyes for a long moment, looking almost worried. But then she nodded as casually as she could. "Sure." Mickey noticed that Nick was staring at him with strange, intense eyes. He wondered why, but tried to ignore it. "What're you up to?" he asked. He needed to know. Nick had said he had other things to check up on--if those were other leads that Nick was keeping from them, Mickey wanted to know about it, and wanted to know why. He looked at the other man carefully. He didn't trust the man. Nick Shane was full of secrets, and that made Mickey suspicious. Especially because Chloe was working to keep some of those secrets, too. "I have other cases. You know how it goes," Nick replied tightly, then turned and left the room without another word. Mickey frowned, watching him go, then went himself, checking his watch. Ten thirty. Perfect. Just enough time to make the end of the symphony. ----- Nick switched on the computer in his office and rubbed his eyes while he waited for the machine to boot up. All he saw when he closed his eyes was the interplay between Chloe and that partner of hers, and it made his shoulders tighten with anger. "We'll talk later," Mickey had said to her. Nick ground his teeth. When, he thought? Over breakfast? Or before? He hadn't missed the way Mickey had stared worriedly at her over the crime scene. He told himself that he wouldn't mind so much if her partner wasn't such a total clod. Word had gotten back to him that the man had tossed his cookies in the middle of the autopsy of the first victim. The grapevine reported that Mickey had been assigned to the X-Files as punishment for shooting his mouth off. What does Chloe see in him? Nick had to ask himself. He sighed, staring blankly at the computer screen. Then again, what did she ever see in me? he thought, knowing that Chloe had loved him intensely. Had, he reminded himself. That was the key word. And what did she get in return? Nothing. Less than nothing. Still, thought Nick, love like that couldn't just disappear. Or be gotten over. He loved her, always would...she had to feel the same way. Somewhere in her heart, the love was still there. He could see it in her eyes every time she looked at him. The cursor blinking on the screen captured Nick's attention and his eyes focused on it. Here we go, he thought, accessing the Bureau's personnel files. He hit a snag when trying to spell Mickey's last name, but finally, finally, he found what he was looking for. He wasn't the only one. ----- At the soft knock on the door to the backstage dressing room, the woman almost dropped the manilla file folder she was reading from. She frowned at the door and saw the knob turning in vain. It was locked. "Who is it?" she called, holding the open file against her chest. "Agent Callavelo--Mickey," came the answer. A small smile touched her lips as she quickly shoved the file into her music bag and she grabbed a manuscript to take its place in her hands. Then she rose and unlocked the door. "A surprise," she admitted, smiling mysteriously at him. "I thought you'd be playing," he admitted, standing in the doorway nervously. She placed a finger to her lips and ushered him inside, closing the door firmly and locking it behind him. "This room is soundproofed, but the hallway is not. And no, I'm not playing until the very last number. I have a very special solo to perform." She smirked as though amused by the lack of modesty in her words. "My talents must be hoarded." "I'm sure," Mickey said. "Why are you here?" she asked, turning to sit back down on the folding chair in a swirl of long hair and black skirt. "Did you drug my coffee?" he demanded. Her calm expression didn't change. "Of course not. It was drugged?" She knew something. A normal person, an *innocent* person, would have been surprised by the implication. "Where did you go?" "When?" "When I fell under the table," Mickey said brusquely. "I went to get help," she said and looked like the Cheshire cat. Everything about her expression and posture screamed, 'do you believe me?' with a mildly false innocence. But Mickey had no real reason to distrust her. He had no reason to believe her, either, and he'd do well to remember that, he thought. "Got another chair?" he asked, feeling uncomfortable standing. "So you've come to 'hang out'?" she said, hitting the words slightly as though they were foreign to her. Even though she spoke with no trace of an accent. Mickey frowned. She was a puzzle, all right. One he intended to solve. He nodded and leaned against the wall. "Where are you from?" "You ask that like an investigator," she teased him. "Habit." He waited for her to answer the question. She didn't. "What about you?" she said finally, after toying with her shiny silver flute as though adjusting it. "Family?" Her hair fell heavily over one side of her face and she looked at him with one exposed eye. Mickey nodded, approaching her. She seemed to sense the change in the air between them. She straightened in her chair and set the flute aside as though she wasn't sure if she would have to defend herself. "Why are you here?" she asked in a low voice, her eyes locked on his, her chin tilted at a high angle to see him standing so close beside her. "I was curious. Intrigued." "Was? That implies you're not any more." "Semantics." "So you are interested?" The smile had returned. Mickey's hand reached down and slid her hair back, touching the damaged side of her face. She jerked at the first contact of his skin with hers. "What happened to you?" he asked. Her eyes darkened almost to black, a wall dropping into place. "Why do you want to know?" she asked, not looking away. Mickey didn't answer and watched tears fill her eyes. She blinked and they threatened to fall. She tried to turn her head, but his hand held her firm, so she just looked away. A small tear escaped from the corner of her eye. "It was that bad," Mickey whispered, kneeling down to be on her level. Taking a deep breath, she nodded and swallowed hard, then met his eyes again. "Yes," she whispered back, her voice breaking into silence. She raised her chin and met his lips with hers, her arms coming up around his neck. His hand threaded deep into the thick silk of her hair as he returned her kiss, heightening the sensation and level of involvement. With a groan, Purity pulled out of his arms. "I have to go," she said, grabbing her flute from where she'd set it and almost running from the room, leaving Mickey staring after her with his mouth hanging open for nearly a full minute. His first thought was to go up and hear her play. But then he realized opportunity was knocking, and turned to look around the room for some sort of a clue about this mysterious woman who felt so good in his arms. He walked over to her music bag, which she'd knocked over in her haste. And saw the file. His file. ----- Nick had finally managed to spell Callavelo and pull up Mickey's personnel record, history, application, and resume. Being high man on the totem pole had its perks. He couldn't believe what he was reading. A personal note of commendation from X-Files Division Chief Mulder on Mickey and Chloe's first case together--something about orphans and green blood. Nick choked on his coffee when he read that. He didn't know it got better. Mickey had been assigned to the X-Files as punishment for badmouthing the Bureau's actions in Waco in front of Janet Reno. And to the press! What the hell was he thinking? Nick wondered, amazed. That takes guts, he thought, or incredible stupidity. And he was betting on the latter. Then he read about Mickey's exploits in his one and only forensics course in the Academy. "So he was the one..." murmured Nick, amazed and fascinated, scrolling back through the pages to see what else could possibly be there. When he read that Mickey had entered into the Jesuit priesthood but left it for the FBI, Nick started laughing so hard that he almost snorted coffee out his nose. But as he set the cup safely aside, he looked at the screen again and realized it had to be true. Weird, thought Nick. And that meant Chloe's partner was definitely deeper and more interesting than he'd given him credit for. Nick didn't like that. What kind of guy is this? thought Nick, completely puzzled, as he leaned back in his seat and tried to stare down the computer screen. Most of the priests Nick knew left the priesthood to marry and give their forthcoming offspring a name. Of course, those were Catholic priests, Nick thought, but still... Nick's feet hit the floor with a dull thud as the connections found their way home, remembering Mickey's blush in the autopsy room when he and Chloe were discussing the victims, and Chloe's response--explaining but not really explaining. Mickey looking confused and not laughing along with them. Nick was now completely convinced that Chloe and Mickey weren't sleeping together. He shut down the computer quickly and pulled on his overcoat. He had to see Chloe. ----- Chloe lay in bed, staring up at the ceiling in the darkness. She'd tried closing her eyes, but sleep refused to come. It's late, she thought, looking at the clock again. It had been a hell of a day. But she wasn't sleepy. She sat up when she heard the knock on the door. "Who's there?" she asked. "It's me." "C'mon in, Mickey," she called, and then squinted into the light as the door opened. Chloe reached for the bedside lamp and turned it on, throwing back the blankets and exposing her striped cotton pajamas. She crossed her legs and looked at Mickey, who lingered in the doorway. "Are you sure...I can come back tomorrow," he said, looking apologetic. Chloe shook her head. "I wasn't sleeping. Come in." He did as she said, taking a seat on the other bed across from her and removing his jacket. "You haven't been back to your room?" she asked, looking at him, worried. He shook his head. "Are you doing okay?" she asked, remembering that he'd been drugged only that afternoon. "Fine," he said. "Did you turn up anything about those incense things?" "Nick was right," she said, hating the way she hesitated over his name. She glanced at him, trying to ascertain whether he'd caught it. He had. Damn. "They sell those containers everywhere. Street vendors even have them. That's no use." "We need to talk about Nick, Chloe," Mick said carefully. Mickey nodded as though he wasn't quite convinced. He felt sick suddenly, his stomach knotting and reknotting itself worse than it had been already. And his head was beginning to pound. "Got any aspirin?" "Sorry," Chloe said. "I could ring down to room service--" She reached for the phone. "Never mind." Mickey wasn't one for taking drugs anyway. "What's going on with you and Agent Shane?" "It's a long story, Mickey, and I--" "I have time," he told her, stretching out on the other bed, kicking his shoes off onto the floor. Then he began to undo his tie, still waiting for her to speak. "You two used to be involved?" She looked at him, surprised. "What tipped you off?" "Maybe it was the way the two of you can't take your eyes off one another," retorted Mickey. "Honestly, Chloe, I may be dense about some things, but I'm not totally stupid." "I know," she said, biting her lip and trying to figure out what to say. She had to be straight with him and tell him everything--she had to get it all out or go mad. "It's hard to explain about Nick," she began, and then realized that putting a frame on it that way only made it more difficult. Chloe glanced over at Mickey and saw him nod his head slightly, encouraging her to continue. She tried to relax and think back and not worry about how all of this was going to sound. She trusted Mickey with her life; she could trust him with this bit of her heart. She looked away; regardless, she didn't know if she could get the words out with him looking into her eyes. "Nick was my first partner, when I got out of the academy. He'd already been with the Bureau for a year or so, and knew his way around. From the first, he took me under his wing, showed me the ropes. Hard to believe, but I was kind of naive then." She smiled and looked at Mickey. He wasn't smiling; he just continued to look at her. Damn, she'd been hoping for a laugh to make this easier. She shifted restlessly. "He was just this amazing figure to me, handsome and smart and caring and determined to move up. He was so set on his future, so...focused." A shiver went through her, remembering it, but she fought it off. "He was just so incredibly different from any man I'd ever met. "You know me, I'm used to getting what I want. Nick was the only guy who ever put up a fight, and I guess that made him all the more attractive. I knew he was attracted to me, but we were partners. That made it more exciting, too," she sighed. "We were so good together, Mickey, it was scary. How well he knew me...it was so perfect." "But it ended," Mickey said quietly, prompting her. He didn't really want to hear about how great Nick was in her eyes. He knew she needed to tell it, and he needed to hear it, but that didn't make the facts any easier to swallow. "We were both offered good positions in the New York Bureau. And there was no question of us taking them. It was too good to pass up. We wouldn't be partners anymore, so that risk would be out of the way, but we would still be working together. It was ideal. We made all the plans, about the move up here. We were going to move in together. But Nick was kind of worried the whole time--he said it was a woman, his superior. She said she could help him move up, but there would be a price. I told him he could get there on his own, but he wouldn't listen. "There's something you have to understand about Nick, and that's that he hasn't had the easiest time of it. Everything he's got, he had to fight for. He started his life in a really poor neighborhood, with no advantages. And he continues to fight, even when he doesn't have to." Mickey watched Chloe, wondering if she knew that she'd lapsed into silence, into thought. Just when he was about to speak, she pulled herself out of it. "To make a long story short, he took her up on the offer. I got home one day and found them in bed. And that was the end. He paid the price, but he lost me. And it embarrassed him that I knew. I walked out and I never let myself look back." Her jaw was tight, but her chin was high. She'd done what she had to do. Left him, joined the X-Files division, tried to forget him. "But I think I still love him, Mickey," she admitted finally, "And I don't know what to do. I don't know if I can hold it all in any longer. Not if he wants me- -" the words were too hard to think, let alone say, "--not if he wants me back." "You're stronger than that, Chloe," Mickey told his partner softly. "You know that he's wrong for you, and you know that you're over him." "But it's not that simple," Chloe argued. "It is," Mickey told her. She wanted to argue some more, but couldn't see the point. They would just go round and round in the same circle until they were both arguing. And she was so damned tired. Chloe looked away. Mick didn't say anything, and her gaze fell on her suitcase, lying open with her clothes tossed in. On top was the sweatshirt that Samantha liked to borrow from her. A sharp pain stung in her chest when she thought of the little girl. "I hope she's all right." Chloe didn't realize she'd spoken until Mickey said, "Who?" She looked at him, her eyes wide. In all the confusion, she hadn't told him. "Oh, God, Mickey, you don't know." "Don't know what?" he demanded, irritated. "Sam." "No." He looked as though she'd struck him. Chloe nodded. "Mulder called me--he was mad. I don't know what happened. Dana told me they'd handle it, and I haven't heard back." "We shouldn't have left her," Mickey said fervently. "She was with her *mother*," Chloe reminded him. "There's nothing we could have done." "We're FBI agents. And she's just a little girl!" "I know. Mulder and Dana are going to find her," Chloe said, positive. Mickey didn't have the chance to say anything because the door opened and they both jumped. "Nick!" Chloe screamed. "What are you doing here?" "Sorry to interrupt your little slumber party," said Nick bitterly, "but there's been another murder." ----- "There's no doubt it's our killer," Chloe said, frowning down at the grains that were all that was left of the body highlighted by her flashlight beam, "But it doesn't make any sense. Why go to all the trouble with the last victim and then this?" "The urge to kill is getting stronger," Nick said. "Did he really just say that?" Mickey muttered to Chloe, who elbowed him in the ribs. "Two murders in twenty four hours. The last one was planned, obviously. And this one wasn't. Or maybe it was and the need was too strong, the killer wasn't able to hold back the emotions and the drive long enough to set it up to make a statement." "So you think the killer is trying to make a statement?" Chloe asked for confirmation. Nick nodded. "Some people express themselves through art, writing, music..." "And some express themselves through killing?" Mickey said, skeptical, in his best 'give me a break' tone. "It's a psychologically documented fact, Agent Callavello," Nick snapped. "Well I think it's full of beans, Agent Shane," Mickey snapped back. "Do you have a better explanation? I'd love to hear it," said Nick sarcastically, folding his arms and waiting. "Why don't you tell us how the killer turned the victims into dust, too?" he demanded. "Not dust," Mickey murmured, and then to Chloe's shock amazement,crouched down and touched the body, crumbling a bit of the substance between his hastily gloved fingers. "What's he doing?" Nick asked her. "I don't know," Chloe whispered back, watching her partner in amazement, her heart racing because she was certain he was on the edge of a breakthrough. "Not dust," Mickey said, looking up and meeting her eyes. "That's too biblical, that's not what's going on here." "You're implying you know what's going on here?" Nick asked doubtfully. "Not dust," Mickey repeated. "Stone." Chloe gaped, staring at Mickey. This was her partner, the man who had been brought to his knees by the sight of the crumbling white substance on the fingertips of her latex gloves during the first examination. And now, here he was crumbling the substance on his own and not recoiling a bit. "Stone," Nick said. "Stone." And suddenly laughter bubbled out of him. Nick threw his head back and really laughed. When he'd finished, both of the agents were staring at him. He had to wipe his eyes. "He's got a point, Nick," Chloe said, thoughtfully. She began to walk around the body seeming to take in every aspect, trying to burn the image into her mind. If she could soak up all the information, maybe her subconscious mind would come up with something... "Look, that substance," he pointed at the body, toeing it gently with his shoe, "is not stone. It's sodium bicarbonate. Do you know what sodium bicarbonate is, Agent Callavelo? It's baking soda. Not granite. Not marble. B- A-K-I-N-G S-O-D-A." Mickey just shook his head. "I'm not going to put up with this. If you don't like my suggestions, *don't* ask for them." And with that, he disappeared out the door. "Well, then, be that way," Nick murmured to Chloe. "You're not making this easy for us, Nick. We're investigative officers, just like you. You should be cooperating." "Chloe, did you hear what he said? Stone? Please," Nick laughed again, but the laughter died on his lips when he saw the pure, and ironically, stony look that Chloe was giving him. "I'm sorry, Chloe. I shouldn't have made fun of his theory. I mean, after all, it's the only thing we've got going for us right now." "You're right. And you know what? I think Mickey will forgive you. We're all tired and we need sleep." "If I had my way, Chloe, neither of us would be getting any sleep right about now," Nick said, absently. He wasn't even looking at her, he was staring at a stain on the wall with a far off, dreamy look on his face. "Besides," Chloe continued, ignoring his suggestive remark, "Mickey doesn't tend to stay mad for long." If she kept talking, speaking of her partner, maybe the tingling sensation she was feeling through out her body would disappear. Bad thoughts, Chloe. Bad. And to think you're in the middle of a sickening crime scene... "Right." Nick interrupted her thoughts. "I'll see you tomorrow." It was as though he hadn't said anything. Chloe breathed a sigh of relief, but the feeling of desire lingered, even long after Nick had disappeared. ----- December 5, 1996 Metro Hotel Restaurant 7:30 am Michael Callavelo stared at the white coffee mug before him. It'd been a long time since he'd last been able to sit down with a steaming hot mug and just think. Unfortunately, this morning he could only think of one thing: the case. He remembered the way Nick had mocked him, but more so he remembered the way Chloe had stuck up for him. She'd said he'd had a point. Mickey's problem now was discovering exactly what his point had been. And this coffee wasn't helping. "Mickey," Chloe's voice startled him from his thoughts. He looked up and smiled. Chloe, dressed in cut-off jogging pants and a light t- shirt, was standing beside the table looking tired, sweaty and uncomfortable. He nodded to the seat across from him. She shook her head. "I'll have to change first, Mickey. Be right back," she said. "What do you want for breakfast? I'll order it while you change," he offered. Chloe looked thoughtful for a moment. "Do you suppose they have Ginseng?" Mickey smiled. Why did I think that was coming? he thought, then replied, "Nope, I doubt it. Normal tea?" "Yeah, and a piece of toast. That'll be great. Thanks, Mickey!" And with that, Chloe disappeared again. Mickey sighed, flagging down a waitress to place his order, along with Chloe's. Toast sounded good, it was light and wouldn't be too rough on him. Right now the last thing he needed was a course of heavily-greasy foods like eggs and bacon. Mickey closed his eyes after the waitress had left, just thinking about Nicholas Shane. Mickey could remember being a young boy and listening to his father's words of caution. "Mickey," he had said to the boy, one day after Mickey had come out of a fight at school, "you're going to have to work with people you don't like, one day. When you're an adult, you can't just lift your fist and expect that person to agree with you." Mickey had asked why. Why couldn't he solve his problems by proving he was stronger? "Because, my boy, there are smarter, wiser ways to do it." And his father had patted his head, sending him to his room to think over his mistakes. His father had been right, of course. Mickey could deal with Nick. And he *would* deal with Nick. Besides, he couldn't be that bad of a guy if Chloe was so in love with him. *Is* so in love with him, Mickey corrected himself. He opened his eyes and shook his head, frowning at his cup of cold coffee. ----- Providence Airport Samantha Mulder stared at the plane ticket in her hand. She smiled as she remembered how she'd obtained it. "Never talk to strangers," Dana had said to her one day. As if I don't know that already, Sam had thought. But she'd bent the rule. The woman who had given her the ticket wasn't really a stranger. Samantha recognized her, although she wasn't exactly sure from where. The thing that stuck out most in Samantha's mind was the scars. Mottled flesh covered the entire left side of the woman's face, setting her distinctly apart from anyone else. She'd accepted the plane ticket and the small package that the woman had given her. Apparently Sam now had money and directions to reach the location of Michael Callavelo and Chloe Grant. Her original plan had been to find Mulder and Scully, but Mickey and Chloe were the next best thing. At least they would make her feel like she *belonged*. Sam yawned and stretched, looking around herself in the airport. She frowned out the window at the little men far below who were loading luggage into the large belly of a plane. She knew it wasn't Mulder and Dana's fault. They were on honeymoon, of course they didn't want a ten year old kid around to mess things up. They wanted to be alone. It didn't mean they didn't love her. It didn't justify this feeling of abandonment that welled up inside her and brought tears to her eyes that were getting hard to fight back. Because she was scared. If something happened to them, where would she go? Not to her mother's. She'd been there, and had to leave. It was so weird there. Her mother wasn't the woman she remembered, not really. That woman was inside her, somewhere, but buried too deep for Sam to find. What if her brother and Dana started thinking they didn't want a little girl that was already half grown up? What if they wanted to have babies of their own and there wasn't room in their hearts for her? Sam shook her head and crossed her arms over her chest. She couldn't think that way. They loved her. Mulder had searched years and years for her. They would always love her. But now she couldn't go back home. So she had to find Mickey and Chloe. The woman had told her where they were, and in a couple hours she would be with them. Sam frowned again, trying to think where she had seen the woman before. She couldn't come up with anything, there was a fog around it, a thick hazy white light between her and the memory. It had been a long time ago, she thought, somewhere like a dream.... "Flight 1121 to New York will begin boarding at this time at gate 14," a voice overhead announced. Sam jumped up and couldn't help smiling. She thought it was really cool that the flight number was the same as her birthday. ----- Mickey racked his brains trying to figure it out. It seemed like answer was just out of his reach, the key to unraveling the whole case was held somewhere he just couldn't get to. Bodies turned to stone, he thought, what could it all mean... He found his thoughts turning to other things. The way Chloe looked at Nick. The tale she'd told him the night before. Mickey tried to understand, and couldn't. It was all well and good; Chloe met the perfect man and fell for him. Loved him still. He shouldn't have a problem with that. But he did. And it only got worse when he put Nick into that role. Nick? That arrogant, know it all, mocking *jerk*? How could Chloe think she loved him, after what he'd done to her? But she did love Nick. He could see it in her eyes. Mickey sighed. There wasn't anything he could do. You couldn't make someone feel something. It had been a hard lesson, but he had finally learned it. You couldn't force anyone to do anything they didn't want to. A small smile touched his lips. Especially if that someone was Chloe Grant. She certainly was stubborn, he thought. His mind moved on, to another woman, one with long dark hair and mysterious eyes. Purity. She was another mystery he had to solve. He found himself wondering, where does she fit in to this? even when he knew it was improbable that she would figure into the case they were investigating. "Earth to Mickey." He looked up when he heard his partner's amused tone and felt his face flushing. "Sorry," he said, wondering how long she'd been back, waiting for him to notice. "It's okay," she said, sliding into the seat across from him and reaching for the toast on her plate. "Looked like you were pretty deep into thought. Any revelations on the case?" she asked, meeting his eyes.=09 "Almost," he muttered. He wished he'd kept his mind on the matter and come up with it. Solved the whole thing. But wait, now that he thought of it again, something was beginning to surface, something he'd read back in school... "I've got it!" Both of them looked up in surprise at the man who had come to stand next to their table. Nick, thought Mickey sourly, looking away. He looked to Chloe, who gazed up at the agent with something akin to adoration. Nick seized a chair from a neighboring table and drew it up between them. "I know what's going on," he said, his eyes burning fever bright. Chloe looked at him carefully, with concern. She knew that look. That look said Nick hadn't slept yet; instead, he'd spent the night pulling books from the shelves in his office, rifling through them and tossing them on the floor until he found the right one, the one that backed up his thoughts. She fought the urge to look after him, as she had back then, to reach over and smooth down his ruffled hair or straighten his tie. "Well?" demanded Mickey, a tight set to his mouth. "Out with it?" He crossed his arms over his chest, just waiting to hear Nick's theory so that he could cut it down. Mythology, he thought, close to the answer, remembering a black schoolbook, filled with dense print. Edith...someone was the writer. What was it that went with this case... "Medusa," said Nick. "The bodies haven't been turned to dust, it's stone!" he said as though it were a revolutionary idea. Mickey looked at him, wide eyed, his face instantly red with anger. He opened his mouth, but he was too furious, nothing came out. His fists clenched; he really wanted to punch Nick. "You're right," Chloe said, thinking about it. "It makes sense." "I said that last night!" Mickey roared, and both agents looked at him, in silent surprise, as though he were insane. "I said that last night," he said again, "that the bodies were stone, and not dust and you made fun of me, you...you..." Chloe scooted her chair back, ready to be on her feet. She had a bad feeling about this, very bad. She had seen Mickey angry before, but never this angry. Mickey was on his feet a second later, and the only thing he could see, right in the center of his red-edged tunnel vision, was Nick's smug face. "You filthy bastard," he finished. Nick rose to the challenge, and Chloe jumped to her feet, but she was too late. Nick had already taken Mickey's fist hard to his jaw and fallen backwards to the floor. "Are you all right?" she asked, moving to Nick's side, trying to keep herself between Mickey and him. Nick tested his jaw and touched the blood in the corner of his mouth with his tongue. "I'll be fine," he said, refusing Chloe's offered hand and getting back onto his feet by himself. He managed to face Mickey with a cocky grin. "You'd better grow up, sonny-boy," he said, "and fast, if you don't want to find yourself stuck in the basement with the X-Files for the rest of your life." "Rather that than do what you did," Mickey held his ground, disgusted by the man who was standing before him. His fists were raised in front of him, ready to go another round, fueled by anger that he knew he should try to control. But he didn't want to listen to that voice in the back of his mind telling him to be rational. "Enough!" screamed Chloe, stepping in between the two juveniles. She put one hand on each of their chests, pushing them back, away from each other. "That's enough. We are all professionals here, I think, and we shouldn't be putting on show." She forced herself to take deep breaths; she was already tempted to pop Mickey one herself. What the hell was he thinking? "Are you ready to be civilized or shall we take this upstairs?" Nick threw his hands up into the air and dropped back into his seat. Chloe turned to Mickey, who still looked angry but sat down as well, his hands still curled into angry fists in his lap. "Okay," she said carefully, wishing she could just walk out and tell them both to go to hell, but then she'd never find out what was going on. "Now what's this about Medusa?" "I said that yesterday!" cried Mickey. Chloe silenced the rest of his argument with a look. "You are part of an investigative *team*, Mickey," she said carefully, her eyes boring into his with the seriousness of her message. "We're working together on this and sharing ideas, that's the point. I don't think I need to remind you that you could be suspended for what you just did." Her voice turned softer. "You need to gain control of your temper, Mick." He nodded, looking down at the table, feeling his face and his ears go hot again. She was right. He could hear his father's words echoing through his mind again. He was too quick to act sometimes, and he knew that it was bad. He thought he'd had it under control, but Nick possessed an amazing power to make him angry. "Now, Medusa," Chloe said, turning to Nick. "She was some woman who turned men into stone with a look, something like that, right?" "Not a woman; one of the Gorgons," Nick said, perfectly calm. His jaw was swelling into a bruise already. Chloe nodded, thinking. "It fits with the condition of the bodies; a transition all over at once, done from the outside and moving in. As though from a look." "But a look can't turn a person to stone," Mickey protested, using logic. He almost wished he'd bitten his tongue when he saw the look Chloe gave him. The one that reminded him of all the impossible things he'd already seen. "How does that fit with the position of the body we found, the one that had been planned?" she asked Nick without a word to Mickey. "Obviously, the killer is trying to make a statement-- does that fit in with the legend?" Nick nodded. "In a way. Medusa was one of three sisters. She represented Vanity. One sister, Euryale, represented sexual excess." Mickey could see the excitement in Chloe's eyes. "That's it, that's our crime scene!" she said. Nick nodded. "The other, Stheno, represented perversion." "So now we're one step ahead," Chloe said, "We know where the killer will strike next." "Not necessarily, Chloe," said Nick, "there's a lot of kinds of perversion in this world. Narrowing it down to one place and time when the killer would strike could be impossible. Especially because she's killed so many times before making this statement. But yes. We're onto her." "Her?" Chloe and Mickey said at the same time. Nick nodded again. "In light of the legend, I'm convinced that the killer is a woman." Mickey frowned. He didn't buy it, but kept it to himself. "Good," said Chloe, looking at Nick. "Have you written up a profile? We should be well on our way to apprehending her. Especially with the evidence from the crime scene." "You're forgetting two things," Mickey said, and they both looked at him as though he were raining on their parade. But he had to say it--they were getting too optimistic. Too unrealistic. "One, the killer knows what evidence was left at the crime scene. She--or he--" he was unwilling to concede to Nick on even that one point, "--may intend for us to pick up on the legend aspect. Which would put us right where he wants us." Nick looked down his nose at him, as though he didn't believe a word of it. Probably doesn't fit his profile, Mickey thought angrily. "You said two things," said Chloe. "What's the other?" "The killer is getting desperate. The murder last night was unplanned. We have no way to know where he will strike next." With that, Mickey got to his feet and left the table without another word. He was still angry about Nick upstaging him, and everything the man said or did got further on his nerves. So Mickey was going to fight back in the only way allowed to him--he was going to show the other man up. "Mickey--" Chloe called after him, but he steeled his shoulders and didn't turn. Chloe sighed and looked at Nick. "You shouldn't have antagonized him," she told him. "Who would have thought he'd get physical?" Nick shrugged. "You knew it, and that's why you did it," Chloe said. She wasn't stupid. Nick had planned the whole little scene. "What are you up to?" "Up to?" asked Nick with an innocence she didn't buy. "Solving the case." She regarded him carefully, deciding if she could trust him. She let her instincts rule her. She did trust him; they'd been through too much together as partners for her not to. "Just don't do that again. We need Mickey, Nick. You and I both know you wouldn't have come up with Medusa at all if he hadn't said the bodies were stone and not dust last night." Nick nodded. "I'll tell him I'm sorry--but later. Right now we need to talk, Chloe." Her eyebrows went up. "About what? Are you holding back information about the case?" Her heart began to beat faster with fear for her partner. "Mickey could get hurt--" "It's not about the case, Chloe," Nick said in that low voice she knew so well. That she still heard sliding over her name in her dreams at night. "We need to talk about us." He got to his feet and went to help her with her chair. "Shall we go somewhere more private?" As the two left the table and crossed to the elevator, they were completely unaware of the fact that they were being by a pair of concerned, dark feminine eyes. Slowly, she turned and left the restaurant. ----- Chloe Grant unlocked the door to her hotel room. She could feel Nicholas' eyes on her as she walked into the room before him. For some strange reason, she didn't feel uncomfortable. She realized the reason why, a few seconds later. It was because she had been waiting for this moment for a long time--ever since she'd left him. The moment when they would 'deal' with their relationship. She had left so much undone that it was still floating around somewhere in her subconscious. She turned just as Nick was closing the door. He leaned his back against it in a casual manner. "So, talk," Chloe said, trying to appear as though she weren't eager to hear what he had to say. "It won't happen again," Nick said. Chloe wasn't sure she liked his cryptic manner of starting off. She wanted to hear him admit that he was wrong. She stared at him, waiting for him to continue, burning holes in his forehead with her intense gaze. "I've made mistakes in life, Chloe. God," he stepped away from the door, running a hand through his thick, dark hair. "I've made so many mistakes. But the worst, Chloe, the worst was when I betrayed you. When I--" he choked on the words. He set his jaw, swallowing roughly before continuing, "When I fucked that woman so that I could further my career." "Is that all it was, Nick?" Chloe asked, her voice indifferent. "That's all it was, I'll swear it to you, Chloe. I haven't been able to touch another woman since then and feel like I can make love to her. Anyone since then... Since then I only wished I could take it back. The look on your face--" he broke off, walking closer to her. She stood rooted to the floor, still staring at him. He reached out and gripped her shoulders. "That look haunts my worst dreams, Chloe. The ones where I wake up feeling alone and deservedly so." "So, what exactly are you telling me, Nick? You're talking, but I'm not hearing what you're saying." Chloe felt like a bitch, but damned if he wasn't going to rot in hell for his recent behavior. "If you're not hearing, then you're deaf. I'm screaming out for you, Chloe. All I want is to be able to prove to you that I'm here for you. I want you to be able to share your pain with me, Chloe. I want to be here when you're needing." Chloe was stunned into silence. She was hearing him all right. She was feeling him, too. His nearness, his heat, even his the warmth of his breath could be felt if she concentrated. Silence hung in the air. Nick's hands moved down from her shoulders to grasp her hands. And there was no denying it, she knew he could see it in her eyes. She did love him and he knew it. Plain as day, as it seemed. "You're a selfish bastard, Nick," Chloe said, a hint of a smile on her face, "but I love you for it." "You're looking at me like *that*, Agent Grant," Nick said. He regarded her through hooded eyes, a smile touching his lips. She knew what he was saying. That was one of his cryptic ways of telling her that she was being as transparent as glass. Usually it was reserved for those times when they were alone, just like now, and he knew what he was supposed to do. And he did it. Nick wrapped his arms around her waist, pulling her closer to him. The kiss was tentative at first, then it deepened to express everything that had been missing from the last six months. Minutes passed and Chloe knew that she wasn't going to try to break the kiss off. It felt too good, too right. She could feel Nick's hands at the small of her back, working her blouse out of waist line of her pants. He moved his hands up and under, caressing her smooth skin. Fire spread through her body as he moved his hands to her stomach. She broke the kiss then. "Wha--" She put a finger to Nick's lips. She took his hand and led him to the bed. "This is the way these things work, Nick," she said. He nodded. ------ Michael Callavelo was laying on his bed staring at the ceiling. Medusa--he'd been thinking about what Nick was saying. You can't turn a person to stone just by a look, that much Mickey was certain of. Even if it were possible, how the hell could you fight someone like that? Not to mention finding that person. No, Mickey would assume that the person hadn't used a 'look' to turn his, or her--as Nick seemed to think--victims to stone. This left other options to consider. How had the person been transformed? His thoughts were interrupted by the sound of faint footfalls in the hallway beyond his door. He had the instinctive feeling that Chloe had returned. When he heard the voices, his stomach sank. She wasn't coming to see him or to give him hell for what he'd just done. She had another agenda. He couldn't hear what they were saying, but he could tell it was Nick that had accompanied her. "Thank God the interior walls are sound proofed," he mumbled to himself. He continued to stare at the ceiling, feeling the heat creeping into his cheeks and the goddamn jealousy flaring to life. It soared with him, until he put his foot down trying to prioritize everything. "Focus, my friend," Mickey told himself. He got up and walked around the bed to the table that was off to the side of his room. He dropped into the chair and pulled his notebook closer to himself. The first thing he wrote was the word 'Medusa'. From there the list just seemed to flow from his mind. He stared at his list. It contained all the things he knew about Medusa and the other Gorgons, which wasn't much. He mostly wrote down the things that Nick and Chloe had mentioned earlier; the things he remembered hearing through his blind anger. If the next victim would supposedly be perversion, what kind of perversion would the person possibly attack? Mickey couldn't help but think of the kind of perversion he thought most despicable--child pornography. Was it possible that their killer might target that sort of perversion? Or would it be something simple, like a whore house? Even if it were either of those, Mickey had no idea where to even start looking for a place like that in New York. There was a chance that Nick might know, given the FBI resources. If he didn't know, perhaps he could find out. Mickey pushed back his chair and crossed his legs at the ankles, leaning back. He clasped his hands behind his head and stretched himself gently, still staring at the list. "It's a start," he said. Finding himself stuck now, Mickey glanced at the adjoining door that lead to Chloe's room. He brought his hands down and clenched his fists, refusing to think about what could very possibly be going on behind that door. He had other things to worry about, such as figuring out where his 'friend' Purity fit into this whole mess. Jotting a quick note on his little notepad, he walked over to the door and slipped it under, telling Chloe that he'd call her later and that she shouldn't worry if he disappeared for most of the day. Not, he thought, bitterly, that she'd care. ----- Kennedy International Airport New York, NY New York City was positively huge. Samantha was dumbfounded when she stepped out of the airport only to be thrust into the busy world that existed here. She gulped down the fresh air and struggled to hold her fears at bay. It was easier thought than done, but after a few moments she succeeded. Some of the people on the street regarded her curiously, thinking it odd for such a young child to be on her own. Sam had to agree. It was odd. Especially a young woman like her with an unbelievably small duffel bag at her side and a brown envelope tucked under her arm. She didn't pay attention to them, though. She made it all into a game. You're Tom Cruise's sidekick in another impossible mission, she told herself. She'd opened the envelope that their operatives had given her and discovered where she was expected to be and when. And she would be there. Glancing around, feeling a little better about her predicament, Sam decided to try and flag down a taxi. After several unsuccessful attempts she finally politely asked a woman who was standing at the side of the road to give her a hand. The woman, looking suspiciously at Sam at first, finally agreed. Sam watched as the woman walked between a few parked cars and right in front of a yellow car. Sam's eyes widened. She nodded with understanding. "There ya go kid," the woman said before walking away and leaving the cab door open for Sam to climb into the back seat. "Where's you heading?" the driver asked when Sam was safely tucked into the belly of the little vehicle. "Uhm, just a sec." She reached for the envelope which she'd set on the seat beside her. She pulled out the sheet of instructions and carefully read down the list for her next destination. "The Metro Hotel, please." The driver nodded and Sam was pressed back in her seat as he shot out into the crazy traffic surrounding the airport. Sam squeezed her eyes shut as she buckled her seat belt. Better safe than sorry, she thought. ----- Summer House Quontochataug, RI "Please, mom, why weren't you watching her? She's your daughter for crying out loud!" Fox Mulder was much more upset than he managed to sound. The thought of losing his sister *again* was nearly killing him. "Listen to me, Fox, I was watching her. I don't know where she went. And don't you *dare* talk to me like that!" Mrs. Mulder said angrily. "I'm your mother too, Fox, and you'll treat me with at least an inkling of respect. You know damned well that I love that child just as much as you do." Both mother and son were red faced and angry now. Dana stood leaning against the wall, watching the exchange. Finally she'd had enough. She stepped forward and gently pushed Mulder back. "Scul--" Mulder stopped, glaring at his wife. "Dana, don't get into this." "You're not going to find Sam by accusing your mother, Fox. We have to think about this, not jump to conclusions." Dana glanced back at Mrs. Mulder. Tears were streaking the older woman's face now. She looked back at Mulder. "Please go fix yourself a drink, or something." Mulder glared at her for a moment, his eyes blazing. He ground his teeth together to keep from biting at her, too. He knew she was only being rational. He took a deep breath as she continued, "I'll join you in a minute, okay?" She stretched up and kissed his cheek, surprised that his flesh was as hot as it appeared. "Fine," Mulder said quietly, slipping away. Only when he had disappeared did Dana turn to her mother-in-law. "I'm sorry," she said quietly. "It's okay, I understand his anger. It is my fault." Mrs. Mulder's voice was low and anguished and filled with absolute loathing for the situation. Dana's next move was impulsive. She moved closer and drew the woman into a tight hug. It felt strange considering she knew so little about Mulder's mother. "It's not your fault. I think Sam is just confused," Dana said as she released the woman. "You're the voice of reason, Dana. I think Fox has done well for himself. I just wish he wasn't so damned dark," Mrs. Mulder said. Dana nodded slowly. Mulder still had his demons, despite whatever he might say to the contrary. Twice he'd woken her in the early hours of the morning with screams of terror that could only be spawned from horrific nightmares. And that had been in one short week. Scully had hoped it might get better, but she suspected that they had a long way to go yet. "You must be someone extraordinary to put up with him." Dana shook her head. "No, I'm just used to him." The words didn't explain the half of it, but Dana knew that Mrs. Mulder would understand somehow. "I want you to know that I don't think Sam was, uhm, removed against her will. I haven't told Fox this yet, but I have this distinct suspicion that she's gone off on her own." Mrs. Mulder looked shocked. "But how? She's only a little girl!" "She's ten. It's hard to explain, but Sam isn't just a 'little girl'. There's more to it. She may have the body of a ten-year-old, but I think while she was missing she must have learned a lot of things, things that make her much more- -" Dana stopped, struggling for the words. Mrs. Mulder was nodding, though. "I felt something like that. You're suggesting that even though she can't remember it, she might have grown up faster than kids normally might in her age group." Dana smiled briefly. "But that still doesn't make me feel better. She could be anywhere," Mrs. Mulder said, dropping her head forward. "It narrows it down, at least. I have a few ideas." "Good. At least someone around here has a head on their shoulders," Mrs. Mulder said, gazing at the doorway where Mulder had disappeared. "Despite that fact, I still love him. I just wish there was some way I could make him see it." "He knows," Dana said quietly. "Go take care of him," Mrs. Mulder said. Dana turned to leave, but Mrs. Mulder put a hand on her arm. "You've got a long road ahead of you, Dana. You have my best wishes." Dana flashed a smile, then turned and walked out of the room. She found Mulder in the bathroom. "Hey," she said, leaning against the door jamb. He lifted his head from where he'd been dousing his face with tap water. He didn't smile, but looked away. "Are you going to be an asshole to me, too?" she asked, but there was a touch of humor in her voice. As far as she was concerned, Mulder could shove his self-pity right up his ass. Mulder suddenly straightened and grabbed the towel that he'd set beside the sink. He dried his face and made a bee- line for the door. Dana stepped directly in his path. She put both her hands on his chest and pushed him back. Mulder was not happy, but she could care less right about now. She closed the door, then stood before him, hands on her hips. "Dana--" "Not a word, Fox. I don't want to hear it. The way you treated her was uncalled for. The first thing you do when we leave this bathroom is apologize to your mother. The second thing you'll do," Dana paused for a moment, taking a deep breath. "Is get on the telephone to the airport. Tell them you're looking for a missing little girl and that you'll fax them a composite of her." "You--" "We've got to take action, Fox, instead of accusing your mother of losing her daughter. I'm not really that impressed with you right now, but I've vowed to be yours until death do us part. Unfortunately, that also means you're stuck with me." Finally, the smallest of smiles touched Mulder's lips. Dana smiled in return. "I owe you an apology, too. I've been an asshole." Scully nodded, but welcomed the hug that he gave her. "We'll work through this together, I've told you that. Now, I'm going to freshen up and you're going to go do some ass- kissing." Mulder looked shocked for a moment, then laughed. "Have I told you I love you lately?" Scully thought for a moment. "Uhm, not since I can recall." "I love you," he said, dropping a kiss on her cheek. "Ahh, now I remember," Dana said as Mulder strode past her to the door. She planted a firm kick on his behind as he walked out. He didn't look back, but jumped and covered his seat with his hands in the event of a second assault. She laughed and waved a hand at him. "You're not worth the effort!" she called after him. ----- Mulder walked into the silence of the kitchen feeling exactly twelve years old. Why was this so hard? he asked himself, seeing the pain in his mother's eyes. All he'd ever wanted was to do right by her and his sister. And he'd messed that up, again. He looked down at the floor, and brushed the hair out of his eyes. It didn't help. The stray lock tumbled immediately back down over his forehead. "I'm sorry, Mom," he said honestly, walking over to her. He met her eyes, and she nodded, trying to smile. "I'm really sorry. We'll get her back safe, I promise." "It's all right, Fox. I know," his mother said, and brushed his hair back, looking into her son's eyes. He was a man, but in so many ways he was still her little boy. He put his arms around her and hugged her then, tight, for the first time in recent memory. It felt good. Warm and loving, everything that coming home was supposed to be. Scully stopped short when she walked into the kitchen and saw mother and son hugging. She didn't want to interrupt the moment, but after a second, she knew she couldn't just stand there. Fighting back the huge urge to run and call her own mother, Scully delicately cleared her throat. "Uh-- Mulder?" she said, and watched her husband freeze. "I hate to have to say this--but we really ought to be going." He pulled away, touching his mother's shoulder. "Are you going to be okay?" he asked. "Fine," his mother nodded. "I'll call you when we know something," he promised, and then turned to join his wife. Who noticed, but didn't comment upon, the tears he wiped from his eyes with the back of his hand once they got out to the car. ----- New York City She was waiting in the lobby, so when she saw Mickey emerge from the elevator, she sprung to her feet and followed at a discreet distance. She had to speak to him, but not now. Not yet. Soon though, Purity thought, frowning as he headed up the steps to the Public Library. She lingered on the sidewalk a moment, thinking, trying to decide the best way to 'accidentally' meet him on the street. Should I wait until he comes out? she asked herself. An image flashed through her mind of her, sitting on the steps near the door waiting for him. Too planned. Besides, it was cold and she had no way of knowing how long he would be inside. She'd have to chance it and go in. She looked back over her shoulder as she pulled open the door to the library, a sudden chill across her spine giving her the distinct feeling that she was being watched. She didn't see anyone, and so she proceeded into the building. ----- He stood across the street, camouflaged between a group of homeless people wrapped in blankets and a news vendor. He hid a grin as he shoved his hands into the pockets of his black windbreaker, but the grin faded when he saw her pause at the door and look around. She'd sensed his presence. That meant he had to be careful. And careful meant he would have to wait. He didn't have time to wait. The urge to kill was getting strong. He chuckled to himself. She had led him directly to the man. The man he wanted to kill. The man who was hunting him. A strong surge of excitement went through his body, thinking of it. It was even better because she was involved. He frowned suddenly, wondering if she had told the man about him. If she was inside telling the man about him now. How he did his tricks, how he had acquired his powers. The powers that helped him to kill. She was inside telling the man, the hunter, about him. All the more reason to make his move now, he thought, stepping off the curb to cross the street, without even bothering to look for traffic. By the time he reached the other side, he was insensible, all of his attention turned to his need. His need to kill. He opened the door and went into the library. ------ Mickey sighed and checked his number again. He hated libraries with closed stacks. Too much waiting. A bell chimed and a light went on over the circulation desk. His turn. He retrieved the mythology book and sat down at one of the long tables, pulling out his notebook and his pen, pulling the cap off with his teeth. He thumbed through the well-used old book until he found what he was looking for. Medusa. One of the Gorgons, able to turn men into stone with a glance. Actually, all of the Gorgons had that power, Mickey noted, checking and seeing that Nick had been right about the names of Medusa's sisters and what they represented. He wondered if Nick had sat in this very chair and held this book the night before. He wondered what Nick and Chloe were up to at that moment. Mickey wrenched his thoughts away, feeling his face go hot, and turned his attention back to the book. Medusa was vulnerable because she was human, and some king had decided her head would make a nice trophy. So he sent Perseus out to kill her. With the help of Athena, he'd been successful. Interesting, he thought, skimming on. He leaned in closer, scratching notes in his notebook. Apparently, Medusa's blood was magical. Blood from the left side of her body was a poison, and blood from the right side of her body was an amazing cure. He felt goosebumps rise on his arms and scalp. Could this explain the little incense satchel of blood they'd found in one of the bodies? Could the blood have been contaminated in such a way to have turned the body to sodium bicarbonate? Mickey had a good feeling that it had been. It didn't solve the case, but it was one step closer. And he could rub Nick's nose in it. He rose, leaving the book behind, and headed for the door. Halfway there, he noticed a long, wet streak of ink down the side of his hand and frowned at it. He pulled out his pen and discovered that it was leaking. Irritated, Mickey discarded the pen and turned around, locating the sign for the men's room. He set his notebook down on the edge of the sink and turned on the tap, looking disinterestedly at himself in the mirror. He glanced down to get some soap from the dispenser and when Mickey looked back into the mirror, he saw a man standing behind him. Too close behind him. It gave him the creeps, but he tried to be friendly about it. "I'll be out of your way in a second," he said to the man, wondering why he didn't just use the other sink. The man moved closer. Mickey rinsed his hands and turned off the tap quickly, seeing the fever in the man's eyes reflecting in the mirror. This guy wanted to start trouble. He turned quickly, hoping to startle him before he had a chance to act. The man punched him, at an angle to the jaw that sent Mickey reeling. He put up his hands to defend himself as he recovered his balance, noticing for the first time the other man was dressed all in black. Could Nick have sent him to get even? Mickey wondered, fighting back anger at the thought. All he wanted to do was get out of there, quietly and without incident. He'd gotten himself into enough trouble when he'd punched Nick that morning; an FBI agent punching a civilian could bring about charges of police brutality. The man went after Mickey again, pummeling, trying to subdue him. Mickey fended him off easily, thankful for the training he'd received at his gym in DC. Boxing for fitness came in handy. Mickey got in a soft blow to the man's stomach, self-defense, he rationalized. And the man grabbed him with extraordinary strength, taking him by surprise. Mickey felt the back of his head impact the porcelain of the sink and he groaned as everything swam in a sea of red and black before his eyes. He blinked, fighting to stay conscious, and saw the man had a knife. Mickey tried to get up, to defend himself, to pull his gun to scare the guy, but his body wouldn't react to the command. He heard the door to the bathroom open and let out a weak cry that was supposed to summon help. Then the world slid away into darkness. ----- "Are you all right?" The soft voice took Mickey by surprise as he woke hard. The floor seemed to tilt beneath his body, and his head throbbed unbearably. "What--?" he tried to ask, hearing his voice come out as only a croak. "We have to get out of here," she whispered into his ear, her hair falling over her shoulder and into his face as she leaned down, trying to help him to his feet. "Purity, what are you doing here?" Mickey asked. "Saving you, apparently. I noticed you in the library and was waiting for you to come out when I heard the ruckus," she explained quickly, helping him up. "Lean on me. We have to get out of here, and fast." "Why?" said Mickey, looking around. "How--" His head hurt too much when he tried to think. He leaned against Purity, who was a lot stronger than she looked as she helped him out into the cold New York afternoon. He dragged against her, wanting to take a seat on the icy steps, but she pulled him along. "Not here, not yet," she cautioned him, hurrying down the street. They were headed against the wind and it stung Mickey's eyes and nose. He opened his mouth and tasted blood on his numbed lips. He tried to remember what had happened. A man. In the bathroom. Had attacked him, obviously, but Mickey couldn't remember any of the details. He couldn't even remember what the man had looked like, except in the abstract, and every time he tried to focus in on the thought, the pain in the back of his head banged away more intensely. "We'll be safe in here," Purity said softly, pulling open the door to a small bakery cafe. The warmth from the ovens inundated them, and combined with the scent of vanilla and bread baking, was pure bliss. "How did you scare the guy away?" Mickey said, blinking a few times to clear the tears of pain from his eyes, looking at his companion. "It was a simple mugging. Being caught was enough," she said. The flat glint to her eyes told him that she was lying. "You know more than you're telling me." "Why would I hold anything back from you?" "That's what I have to figure out," said Mickey. "What's your last name?" She shook her head, refusing to answer. "I could get it from the symphony," he threatened lightly. "I doubt that," she challenged back. "I'm supposed to believe it just says 'Purity' on your Social Security card and your W-2 form?" "Are you threatening to sick the IRS on me?" she asked back, an amused gleam in her eyes that made Mickey irritated. "Artists are allowed their quirks." "Where do you live?" he asked. She only smiled. "I--" Mickey began, but broke off. "What?" she asked, playfully. He shook his head, forgetting what he'd been about to say. "I think I might need stitches," he said, his voice going up in slight surprise. The world seemed to spin once too fast for him, and he closed his eyes against it. And didn't open them again. Damn it! Purity thought. It was getting harder and harder to save this man from his enemies and himself. She got to her feet quickly and thrust a fifty dollar bill into the hand of the waiter who had started in their direction. "I was never here," she murmured, "Get him to an emergency room." ----- "I need to know what rooms Chloe Grant and Mickey Callavelo are in," Samantha told the desk clerk at the Metro Hotel. It would have been easier if the room numbers had been written on the piece of paper she'd been given, she thought, but figured it was okay to have to do some of the work herself. "I'm sorry, I am not authorized to give out that information," replied the desk clerk. "But I need to know!" cried Samantha, but the desk clerk remained unimpressed. "They're FBI agents!" she blurted out, and then looked around to see who had heard. Was she not supposed to tell that? she wondered. A sinking feeling invaded her stomach. What if they were undercover, and using different names? How would she ever find them then? "Are they your parents?" asked the desk clerk. "No," Sam said, as though it was a crazy question. "Then I don't care who they are, I can't tell you anything. Sorry." He said the word in a way that conveyed the fact that he wasn't sorry at all. Fine, thought Samantha, all the more determined. She settled her bag more firmly on her shoulder and started for the elevator. "Where are you going?" called the clerk after her. "I'm going to find them, if you won't tell me!" she snapped back rebelliously. "I think not," said the clerk, motioning to the doorman with his hand. "Antonio, please escort this charming young lady outside," he requested. "I won't go!" Samantha screamed, but it didn't do her much good as the very large Antonio lifted her off her feet and set her down outside the hotel doors, which he blocked with his body. Samantha glared and pouted at him, and then stomped away, still looking at the hotel, thinking of new plan. Except she was too hungry to think. All she wanted was Mickey and Chloe. Or Mulder. "Run into trouble?" asked a sympathetic voice behind her. Samantha turned and looked at the man who stood there. In his nice suit and trenchcoat, he looked like her brother. Or, at least, like someone trustworthy. Maybe even another FBI agent. She *was* lost, she thought, and she'd always been instructed to seek the help of an adult, preferably a policeman. "They won't tell me what rooms my friends are staying in," she explained. "Do you think you can find out for me?" "Sure," said the man easily. "I bet you're hungry, though, and cold. When did you get into the city?" "This morning." "Came by yourself, huh?" "To meet my friends," she answered. "Why don't you come with me. We can get a burger and some fries, and then we'll track down your friends, okay? What's your name, honey?" he asked. Samantha looked at him, a new suspicion blooming in her mind. "You're not a policeman, are you?" she asked. "Not exactly," he answered with a cool smile. "FBI?" She glanced at the unsympathetic doorman, suddenly feeling afraid. "No," said the man, taking a step towards her. Samantha turned and ran as fast as she could up to the doorman of the Metro Hotel. She'd broken a big rule, and she was in trouble. She'd talked to a stranger, and not just a stranger, a Bad Man. "You have to help me," she said quickly to the doorman, but not quickly enough. She felt the man's hand close on her shoulder. "I see you found your friend," said the doorman. "No!" cried Samantha, breaking away from the man. She looked at the doorman, but he would be of no help. She dropped her bag and started running, as fast as she possibly could, in the opposite direction, hoping to catch the Bad Man by off guard and lose him. She slowed, thinking it had worked. "Samantha." She heard the familiar voice and stopped, feeling a chill wash over her. She turned slowly, to see the woman who had given her the plane ticket. "What are you doing? Haven't you found your friends yet?" she asked. Sam shook her head, frowning. The woman was familiar, and not a stranger, but that didn't explain why she felt something like fear or worry burning in her stomach. "The, um--" She was *not* going to cry, she wasn't! "--the desk clerk wouldn't tell me their room numbers," she admitted, "and they weren't on the paper you gave me." "It's okay," the woman told her. "It's okay. Come here. I'll take you to them. It's going to be all right, Samantha. But they're not there right now, so let's go somewhere and get you something to eat. Okay?" The same words the scary man had said to her to try to her. This woman was much more safe, Sam knew, but she was still scared of her. Just scared in different ways. "Where do I know you from?" she asked, and the woman just smiled. "I don't know--I can't remember your name." "It's Purity, Samantha," she said softly, taking her hand and guiding her along the street towards the welcoming beacon of the golden arches. "Where do I know you from?" Sam whispered. "The time before." "Before what?" "Before Orangeburg," Purity answered. ----- The phone rang shrilly, pulling Chloe out of one of the sweetest dreams she'd ever had. She hadn't even realized she'd drifted off. It took her a moment to struggle out of it, open her eyes, and realize that part of it was real. She was here. With Nick. Back together, the way they were meant to be. He opened his eyes as she looked at him and smiled faintly at her. She smiled back and grabbed the phone as it began to ring again. "Hello?" she mumbled. "Chloe?" She sat up, her heart racing instantly. "Mickey? Where are you, what's wrong?" "I'm in the emergency room--um, New York General," he said. "What happened?" she cried. "It's a long story, anyway, they, uh, they won't let me go by myself. They say someone has to come and get me." "Why?" Chloe demanded, scared. "Were you in an accident?" Oh no. "Did you get shot?" "No. No," said Mickey, and his voice sounded weak in her ear. "Just some stitches, that's all. Can you come get me?" "Sure. Sure. I'll be there as soon as I can. Sit tight," Chloe promised, and hung up. Nick was looking at her expectantly. "What?" she snapped, not liking that look. "Your partner gets himself in a lot of trouble," he said. Chloe felt cold inside. Her feelings for Nick hadn't changed, but they had been the only things. He was different. And snide when it came to Mickey. She didn't like that, didn't like what it suggested, what it made her feel about him. "You'd better lay off unless you want a shiner to match your jaw," she cautioned, getting up from the bed. "You staying here, or you coming with me?" "Where is he?" "Emergency room, New York General," she repeated, biting her lip with worry. "I'll drive," Nick offered, getting up. He slung his arms around her waist impulsively and kissed her at the spot where her neck met her shoulder. "I love you, Chloe." She wasn't impervious to the words. "I love you, too, Nick," she replied honestly. "But we have to get moving." ----- "Mickey, my friend, you seriously have a problem getting around New York, don't you?" Nicholas Shane mocked as they walked back to the agents' rental car. Callavelo simply ignored him. Chloe, on the other hand, shot Nick a look. He smiled apologetically and opened the passenger door to the car, slipping in. He watched through the window as Chloe caught Mickey by the arm and led him a safe distance from the car. She turned her back to him so that he couldn't read her lips. "Mickey, what's going on? Why do you keep disappearing on me?" "I take it you didn't get my note?" "What note?" Mickey nodded. "Look, Chloe, I'm not stupid. I know what you're doing here." Chloe's eyes narrowed. "Mickey, I asked you a question. Don't turn this around on me." "I'm at least trying to do something pertaining to the case. I went to the library and I left a note in your room." "The library? Why? And what happened?" Chloe glanced back at the car and noticed that Nick was staring intently through the window. While she trusted him, it was quite clear that Mickey didn't. Besides, she wanted Mickey to explain what was going on and he obviously wouldn't do it in front of Nick. Chloe took hold of Mickey's arm and led them further away. She turned her back so that Nick wouldn't be able to see her face. "I was attacked in the library bathroom. I--Chloe, she was there." Mickey said. "Who? Who was there, Mickey?" "Purity. She helped me." "Mickey, I'm seriously beginning to think that Purity is a figment of your imagination--" Chloe began, but was interrupted by the shrill ring of her cell phone. She looked at Mickey, red-faced and so angry with her, and shrugged. She saw his jaw working angrily, but chose to ignore what it could mean. Reaching into her blazer, Chloe pulled out the phone and quickly connected it. "Grant," she said. "Chloe, it's Dana." Chloe's eyes widened. Mickey looked at her, narrowed his eyes and began to walk away. Chloe reached out and clamped a hand on his arm. If looks could kill, Chloe would have been dead. "Dana, hi. Have you heard anything?" Mickey seemed to relax a bit. "Yes, Chloe, we found out where she's gone," Dana said. "She left on her own?" There was a pause and Chloe could almost imagine Dana nodding her head. "She got on a plane to New York City," Dana explained. "What? You mean she's coming here?" "Yes, Chloe. Mulder and I are catching the next plane out. We'll be there soon enough." Chloe's eyes widened and she looked at Mickey, who seemed to be hanging off her every word. "Look, we'll keep an eye out for her, Dana. I'm afraid our case isn't going so well right now." "Thank you, Chloe. I'll call you when we land," Dana said, then disconnected the phone before Chloe could get another word in. She looked up at Mickey, who was looking at her expectantly. "Well?" "Dana said Samantha was on her way here." "Here? As in to New York City?" "Yep. I wonder how she knew we were here. You didn't tell her when we dropped her off at her mother's, did you?" "No. Why would I tell her?" Chloe only shrugged. "I hate to say this, but we have more important things to deal with. By any chance did your friend happen to give you back you ID?" Mickey breathed deeply and clenched his jaw shut for a moment. "No, I forgot to ask her. I was too busy passing out," he answered after a moment of struggling for self- control. "Okay, look, let's get back to the car. I want to hear what you discovered at the library," Chloe said, giving up on her attack on her partner. She really didn't feel like pursuing it and Mickey didn't look like her would be able to contain himself if she slammed him with another verbal jab. Mickey didn't say anything. He simply wandered back to the car, silently getting in the back seat while Chloe slipped into the driver's. Mickey stared out the window, feeling the crackling of tension running through the enclosed space. He kept his mouth shut as the scenery slowly began to move by. ----- Metro Hotel Mickey dropped down into a chair in Chloe's room, trying hard not to notice the rumpled bed sheets. They were like a traffic accident, though, it was almost impossible to tear his eyes away. Until Chloe touched the stitches he'd just received and he jumped about a foot with a yelp of pain. He turned his head and glared at her. She was frowning. "Mickey, how did this happen?" she asked and he could see the concern in her eyes. "I told you, this man attacked me in the bathroom at the library." "Unprovoked?" her eyebrow went up, almost a challenge. "Yes," he snapped. "We're getting close, Chloe. To the killer. I can feel it." "And you think this man attacked you because he knows something?" "It's the only logical explanation. Unless your good buddy Nick got someone to rough me up in return for the scene at breakfast." "Nick would never do that!" Chloe cried, shocked that Mickey would even suggest such a thing. Mickey didn't say anything. "You can't believe that--he's an FBI agent, for heaven's sake! He's above that." "Yeah," he conceded before she got too angry. He *didn't* actually believe it had been Nick. "There is one other option we haven't discussed." "What's that?" "Mick, every time you're with this Purity woman, you end up in the hospital," Chloe pointed out gently and waited for the explosion. "I'm beginning to think it could be significant." "How could a figment of my imagination do this to me?" Mickey asked her coldly. She sighed in frustration. "Don't do this. I don't want to fight with you." "I don't want to fight with you either, Chloe, it's just..." "What?" she asked quickly. He shrugged and didn't finish his thought. "What do you know about this woman?" "Not much," he admitted. "She plays for the symphony." "I don't think it's wise to trust her," Chloe said. "I know that!" Mickey cried. He realized then, for the first time, that his emotions were severely tangled up with this case. He didn't know if he should trust Purity, could hardly overlook all the strange things that happened around her, but at the same time he couldn't deny the attraction and the connection he felt to her. And then there was Chloe to worry about, getting in over her head with Nick. "I know," he said, more calmly. "I'm being careful." "Not careful enough," Chloe said, glancing at his stitches with a rueful, sad smile again. "I don't want to see you seriously hurt." He wanted to retort "Why?" childishly, but he couldn't. She was his partner. They were each others' responsibility. "What are you going to do now?" Chloe asked him. Neutral ground. No more fighting. "I was going to try and sort out all the facts I've got in my head, try to make sense of this. We have all the pieces, Chloe. We just have to put them together," Mickey said. She nodded. That was almost exactly what Nick had told her that he was going to be working on in his office. "What about Samantha?" He looked stricken, and she knew that the situation had momentarily slipped his mind. "It's such a big city. How do we find one little girl?" he asked, and she could hear the quiet fear in his voice. "Are you going to look for her? I'll go wi--" "No," said Chloe and she had to look away. "We have the police on it, and Nick was going to try to pull some strings with the kidnapping division, even though this doesn't appear to be a kidnapping. We'd be looking for a needle in a haystack. She's a smart girl, she'll be all right." "Then what are you going to do until Mulder and Scully get here?" Mickey asked. She shrugged non committally. "I--ah--thought I'd go over and see what Nick is up to," she lied. Knowing he would believe it, and knowing that he wouldn't offer to accompany her. She saw the hurt flash in his eyes. "I'll see you later," he said, rising to his feet and leaving the room. The door banged shut behind him and she stared at it, feeling guilty. But she was doing it to protect him. Chloe sighed and tried to squelch the uneasy feeling in her stomach as she grabbed her coat and headed out. ----- T h e X - F i l e s Bed Springs II: Adamantine Poison by Char Hall and Megan Reilly [lazydark@aol.com & eponine@prodigy.net] 8/3/96-10/30/96 ______________________________________________ Part 3 "Nick," muttered Mickey, irritated, as he went to his suitcase and pulled out his laptop. He set it on the dresser and pulled up a chair. As it warmed up, he caught a glimpse of himself in the mirror. He looked like hell. His skin was gray and pasty and his eyes were red. The shadows around them were deep, and his hair and clothes were dirty. What he needed was a hot shower and a few hours rest. They had wanted to keep him for twenty four hours' observation at the hospital, but he'd refused. There was a killer on the loose. If they didn't catch him, more people would die. And that was all that mattered. He stared at the small computer screen for a moment, trying to gather his thoughts, and then began to type. "The killer is a male, as determined by the method of killing demonstrated in the photographs of the double murder crime scene." Mickey stopped. Was this even how a profile was supposed to be? he wondered, never having written one before. He pressed on. "The killer's leaving his victims as though on display indicates that there is a message he wishes to convey to the police, and possibly to the world. Killing is his obsession, but he is also proud of it, as indicated by his flamboyant method of murder. Quite possibly, he wants to be caught." It sounds so ridiculous, Mickey thought, no killer would want to get caught. Wouldn't the thrill be in getting away with it? But in so many cases that was simply untrue. It felt like a cliche for him to be writing that statement at all, but he genuinely believed it to be true. He looked at the cursor blinking on the screen. The words and thoughts were not coming easily. "He wants to be caught because then his true motives will be revealed to the world. The fact that the murders' strangeness has been kept out of the press and not revealed to the general public probably frustrates him. This frustration feeds his drive to kill, with the hopes that with the next murder, it will become impossible for the murders to be kept quiet. "The method of killing is one of the keys to this case. The victims are somehow transformed into sodium bicarbonate, possibly by the introduction of a human blood product as found in at least one crime scene, in the throat of the victim. The nature of this substance is at this time unknown. The killer is almost certainly tied in some way to the scientific community--either he is a scientist and this is a product he has developed, or perhaps he is the victim of a genetic mutation, whether natural or artificially induced. It is not clear as to whether the unidentifiable elements in the human blood sample located in one of the victim's throats was added to the blood, or is part of its inherent makeup. Further study of this issue is being conducted. "The method of killing--turning living victims into mineral--is also indicative of the killer's obsession. He identifies strongly with the mythology surrounded by Medusa, and the crime scene's purposefulness represents one of Medusa's mythological sisters, Euryale, who represented sexual excess. Medusa's other sister, Stheno, represented perversion. The killer will almost certainly strike at least once more and leave a display for law enforcement's benefit. The killer definitely has some family issues which he is attempting to work out through these deaths." What am I writing? Mickey wondered, I have no idea where I'm going with this. But he continued typing. "He is attempting to express his feelings. But the feelings are becoming too strong for him to control, and the killings are escalating." This doesn't tell me how to catch him, Mickey thought. "The killer is well educated. He knows more about the myth of Medusa than the average person. In some method, he has studied this tale. I do not think that he is a Greek scholar, however, nor do I honestly believe that he is a scientist. He is a man who has had contact with these factions in some undefined way at this moment." Mickey sighed. Maybe he didn't know as much as he thought he did. Good thing he didn't have to turn this in. "The only thing that is certain is that he will kill again. Soon. He will almost definitely strike on some form of perversion. As family is a motivating force in the killer's obsession, I think he willl strike in the realm of child pornography or prostitution." Mickey saved the document and turned off the laptop. I just hope he doesn't kill a child, he thought. ----- NY FBI HQ Nick was absolutely engrossed in his work. The sounds of the bustling workers outside his office door had faded from his consciousness some time ago, as had the honking horns on the street below. He'd completely forgotten the coffee he'd been drinking to stave off hunger--indeed, he'd forgotten that he was hungry. His fingers touched keys on the keyboard, inputting information into the computer, but he was barely aware of it. His mind was working far away. In the mind of the killer. "She identifies strongly with Medusa. She has been hurt. She feels vulnerable because of her humanity, her mortality, and this drives her to kill others before they can kill her. She is probably the victim of childhood sexual abuse by someone she trusted, very likely incest. This abuse was likely performed by another female, or more than one female. She is afraid of other women, she feels that they are a strong threat to her. She sees sexuality as a power, a power that she does not possess. So she must kill instead. She is obsessed with the legend of Medusa, afraid that a hero is coming to cut off her head and put her on display, but she also assumes the role of that hero in some ways, but victimizing those who remind her of her mythological sisters. "How does she kill? The circumstances are unclear. Perhaps she is an unusual individual, different from humans. Like the semi-Godhood of the ancient Greek character Medusa, perhaps she produces powers that other humans do not or have not yet been able to tap. Perhaps she has mastered alchemy and is so able to transform her victims into sodium bicarbonate that way. Perhaps her dementia has allowed her access to areas of the mind that you and I do not have. Perhaps her will has grown so strong that she is able to physically manipulate the substance of her victims with the power of her mind. "She will kill again. She is afraid and she cannot control it. She will not be easy to apprehend. We do not comprehend how her powers work. Her victims were killed quickly and without signs of struggle. If closed in upon, it is possible she will kill us the way she has killed the others, in order to protect herself. It is even possible that she has turned her obsession away from the killing of her mythological sisters to the pursuit of those who offer her the most immediate harm--the Perseus of the myth who sought to kill her. She may be after the FBI officials who are working to apprehend her." Nick blinked and pulled himself out of it, blinking and looking at the words on the screen. He knew what he'd been thinking but he was barely aware of what he had written. He felt weak, and ill. He gulped down some of the sour, cold coffee and forced himself to swallow. It made sense that the killer would turn on them. He only wondered if it she had been able to find them before they found her. He had to find Chloe. She could be in danger. ----- Mickey had done her a big favor by mentioning that this Purity woman worked for the symphony, Chloe thought, as she knocked on the back entrance of the music hall. There was more than one symphony in a city this size, but it had narrowed her search considerably and given her a better place to begin than the DMV database, which could have taken hours. She was worried about Mickey and his involvement with this strange woman. A small, heavyset man opened the door. "We are not open to the public. The box office is around the front," he told her. "I know," Chloe said, displaying her badge. "My name is Chloe Grant and I work with the FBI. I'm looking for a woman who may play with the symphony. Her name is Purity..." "Ah yes," said the man. "You know her?" This was easy, thought Chloe, relieved. The man nodded. "What is your name and your affiliation with the symphony, sir?" she asked. "I'm Stanley Allen, I manage the facilities. The building." "And what can you tell me about Purity?" "There's not much to tell, really. What exactly is this about?" He was beginning to look at her suspiciously. "I need to learn what I can about her. Starting with her last name, place of residence, past wo--" "She doesn't have one." "One what?" "Last name. Or at least, if she does, I've never heard it. Purity, that's all there is." "Uh-huh," muttered Chloe suspiciously. Who does she think she is, Madonna? The artist formerly known as Prince? Give me a break, she thought. "And I suppose you don't know where she lives?" "No." He was being uncooperative. "Can you tell me what she looks like?" Chloe asked, telling herself it was because she needed to know and not because she was curious about this woman who had seemingly captivated her partner. "Medium build. Long dark hair. You can't miss her, lady, she'd be gorgeous if not for the scars ripping up the side of her face. Now if you'll excuse me..." he said pointedly. "Of course," murmured Chloe, stepping back before he slammed the door in her face. Very interesting, she thought, and not at all what she had expected to find. She checked her watch and wondered what time musicians arrived to rehearse. Probably not until later, she thought, sitting down on a bench anyway to watch the entrance while she made her calls. Half an hour later, she was freezing and she'd learned little. This woman had no driver's license, which wasn't uncommon in New York. But she also had no birth certificate or Social Security records, either. At least, not under that name. Which wasn't too much of a shock, it was obviously a cheesy stage name. But it left Chloe out of luck. How could Mickey get sucked in by someone like that? she wondered. He was normally so levelheaded and so practical, what could he possibly see in a show biz type like that? Even if she was allegedly gorgeous. Mickey's head hadn't been turned by anyone in the time that she'd known him, she'd thought he didn't notice women for their looks. Maybe it's the scars, Chloe wondered, maybe they seem to make her vulnerable. Maybe he thinks he has to protect her...? She sighed and got up. She'd never figure it out. There was never any point in trying to guess what was going on in someone else's head. It was impossible, and pointless. She'd go and see what Nick was up to, and maybe get his help tracking down this mystery woman. At least use the resources available to her at the FBI building. She wasn't sure she wanted Nick to know about Mickey's friend. More specifically, she didn't want him to see how much it bothered her. Her cell phone rang then. It was Nick. There had been another murder. ----- He watched from the shadows, unable to keep the grin from his face. Killing always made him feel happy--in power- -in control. And this murder was his best. A tiny giggle escaped his lips. And it was only going to get better. The patrolmen had responded quickly to his anonymous call. He'd watched them as they phoned their superiors. The people who had been tracking him. They would be here soon. His grin stretched wider. They were coming right to him. On his terms. Unsuspecting. He could hardly wait. ----- Nicholas Shane stared down at the body. Something was wrong. Something about this body didn't fit the puzzle. It just didn't jive. He hadn't said anything to the officers at the scene of the crime because they were so wrapped up in collecting evidence. Besides, he didn't really know what was bothering him about the scene. He wanted to wait until Chloe appeared, just to get a second opinion. Maybe she would see what it is that he had missed. What he hadn't expected was for Michael Callavelo to appear first. "What have we got, Nick?" Mickey asked, lifting the police line and striding on to the scene. Nick fought the urge to roll his eyes. "Looks like another one," he said simply. "Who called you?" Mickey looked up, sharply, wondering what Nick had meant. "Chloe did. Why?" "Just wondering." In truth, Nick didn't know why he hadn't called Mickey himself. He watched as Mickey quickly discarded the question, obviously struggling not to cause trouble. The other agent wandered around the scene looking at the surroundings. This body had been left out in the open, contrary to the others. That'd been the first thing to bother Nick. Their killer didn't leave the bodies out in plain sight. That was why they'd been able to keep the media out of the picture. Not to mention the fact that most of the victims had been low-level people. People that weren't exactly high in public relations. Therefore they wouldn't really be worth the interest. "There's something wrong," Mickey said. He straightened from his examination of the body. "What do you think?" Nick honestly wanted Mickey's opinion on this one. Since Chloe wasn't here to give hers, he might as well give the man a try. I can always discount him later, Nick thought. Then he remembered that Chloe had wanted him to try and get along with Mickey. Mickey looked a little surprised that Nick was actually asking for his opinion. He took a deep breath and looked down at the body again. "Have you got a pair of gloves?" Nick motioned for one of the other detectives to hand him the gloves, which he in turn handed to Mickey, genuinely interested in what the man was doing. "You're not going to get sick, are you?" Nick asked. Mickey looked up. "No. It's when you start to cut them up that I get sick. Besides, if what I suspect is correct... Well, just wait and see." The agent had just turned back to the body when Nick heard a voice from somewhere behind him. "You two started without me?" He turned around to see Chloe lifting the police line. He smiled warmly and walked over to her, happy to get away from Mickey for a few minutes. "You're late." "I know. I'm sorry. I had some things I needed to take care of. Besides," she gestured towards Mickey, "I figured you two would be able to do something without me." Nick leaned closer. "He's definitely on to something." He hiked a thumb over his shoulder in Mickey's direction. Chloe nodded and walked around Nick to stand over Mickey. He was kneeling on the ground, staring at the body. Callavelo seemed lost in thought as he tapped on his knee with a gloved hand. A second later he'd obviously made up his mind on something. Both of the agents watched as Mickey reached out and stuck two of his fingers into the mouth of the victim. "Mickey, what are you--" Chloe began, but she stopped when she saw what Mickey was doing. She stared in horror as he yanked on the lower lip. Even more surprising, however, was the fact that the lip broke off, tumbling into Mickey's hand. "A dud," Mickey said simply, standing quickly. "What?" Nick asked, still not fully understanding what he had just seen. "This is just a statue." Handing the piece to Chloe, Mickey began to walk away, stripping his gloves away. "Hey!" Nick called, following Mickey. "How did you know that?" he asked when he caught up to the other agent. Mickey slowly turned to find that Shane was being completely serious. He wasn't mocking this time. "The body didn't look right. It doesn't fit the modus operandi. For starters, as you noticed, the body is outside. Our killer has never once left a victim out in plain sight. Secondly, I think this is more than just an escalating murderer. There's something else here." Nick just stared at Mickey. It was a complete minute before he could speak. "So, what you're saying is that our killer set this up for public benefit?" Mickey shrugged. "Draw whatever conclusions you like. I'm not sure what it means. We may even be looking at a copy-cat." "We both know that's not possible. This case has been kept tightly bottled. Unless there's a leak somewhere, no one even has the most significant details of this crime," Nick said. He was completely puzzled now. "All I know is that I have to rewrite my profile," Mickey said. When he turned away, he felt Nick's hand on his shoulder. "Hold on a second," Nick said, pulling Mickey back. "What?" Mickey snapped. He hadn't intended on snapping, but he didn't appreciate being yanked around. Especially not by Chloe's boyfriend. "You wrote a profile?" "I dabbled one out, yes. Why? What now?" "I wrote one too. I'm just curious to see how different they are. Is there any chance we could sit down and compare them?" Mickey had the distinct feeling that Nick wanted to down-play him, and he wasn't about to let that happen. But when Nick glanced back at Chloe then squared his shoulders and said, "Maybe we could meet somewhere without Chloe to go over them?" "She should be included, Nick." "I know. It's just that we don't seem to get along very well, and I wanted a chance to buy you some lunch and see if we can patch our differences," Nick looked away for a moment, but when he looked back there was a seriousness in his eyes that told Mickey he really did want to try to reconcile. "Look, I'm more than willing to try and put our differences behind us. I'm going to agree, but I want Chloe to know that we'll be discussing a profile and that she's more than welcome to come along." Mickey laid out the ground rules and waited for Nick to take them, or discard them. "It's a deal. Now, what do you suggest we do about this little dilemma?" Nick asked, turning back to face the scene. Chloe was still fiddling with the body, making absolutely certain that it was indeed a dud, as Mickey had put it. "What do I look like? An FBI Agent?" Mickey asked, and Nick actually smiled. ----- Kennedy International Airport New York, NY Fox Mulder folded the picture and put it back in his pocket, disgustedly. "I can't believe no one has seen her!" he cried as Dana joined him. He gazed down at his wife, still marveling at that fact that she was by his side as his wife. "New York is a big city, Mulder," Dana said. "Give it a bit of time and I'm absolutely certain we'll find her." "I hate it when you use that voice of reason with me," Mulder said, putting an arm around her shoulders and dropping a kiss on her forehead. "But as true as that is, I still can't stop searching and I can't wait. I have to find her." "I know, Mulder." Mulder smiled down at his wife. "Okay, if no one has seen her here, what would be the next course of action?" Dana appeared to think about it for a moment. "Assuming that Sammi came on her own, I would be inclined to think that she'd take a taxi, or the bus. A taxi is more likely because it's private and she can get directly to where ever it is she wanted to go." "That's a good idea. How about I make you a deal?" Mulder asked, smiling mischievously down at Dana. "What kind of deal, Mulder?" she asked, giving him one of her playfully skeptical looks. "You have the composite faxed to all of the taxi companies and I'll load our stuff into the rental. How's that for a deal?" "It's a deal," Dana said. She smiled and put her hand in Mulder's pocket, fishing around for the picture he'd just folded. When she found it, she pulled it out. "Ah, there it is. Now, go on. I want that car sitting outside the door waiting for me when I'm done here," she said. Mulder nodded and kissed her again. ----- Samantha Mulder didn't like the feeling that had seated itself deep in the pit of her stomach. It meant that she had made a mistake--possibly the biggest mistake she'd ever made in her entire ten years. And the fact that she now knew she was in big trouble didn't settle anything. She wasn't afraid of the woman driving the car, she trusted her--for some strange reason, their bond was extremely strong, although Sam wouldn't have been able to explain it for her life--it was more the fact that she had left her mother without even saying a thing. Sam was worried that Fox was going to have a few words with her. She hated disappointing him and Dana. What made it worse was that she also knew Chloe and Mickey would have something to say about it, too. The window of the car afforded a glorious view of the big city, spreading the fear even faster. Sam wondered, for the first time since she had started her adventure, what she would have done if she hadn't been able to find Mickey or Chloe. Pressing these horrible, scary thoughts from her mind, Sam leaned back in her chair and took a deep, unsettled breath. "Samantha, you should try to relax, you know. I'm not going to hurt you, I promise," Purity said. "I'm sorry," Sam whispered. "You know, honey, we have a lot in common," Purity said quietly. Her voice seemed distant and reminiscent. "What do you mean?" Sam asked, curiosity helping to ease her other fears. "I can't explain most of it, but I want you to know that you recognized me for a reason. You're not old enough to understand--and even when you are old enough, I don't expect that you would--but suffice to say that a lot of things have happened during that gray spot of your life." Gray spot? How had she known about the missing part of Samantha's memory? "I don't understand," Sam said. "I know," Purity said. She reached out and put a hand on Samantha's shoulder. "Don't worry about it. Some day I'll be back to explain it all to you. I'm not going to let anyone hurt you. Not *anyone*." Sam sat back, her confusion much more compound. ----- He watched them come and go. They were too smart. They had seen through his little trick much too quickly. However upset he was over that fact, he grew more excited by the moment. This meant that they would be even more of a challenge then he thought. He wandered away from the scene, easily blending in to the crowds of people and making a clean emergence on the other side of the street. He found his car and climbed in, already scheming his next kill. The kill where he would finally sacrifice the last Gorgon and then he would move on to Perseus, the one whom had been hurting his games, coming too close to home. This one would die the most hideously of them all. ----- Metro Hotel Mickey was too busy reading the profile to take much notice when Chloe appeared and slipped into the restaurant booth beside Nick. It was only when Chloe kicked him under the table that he looked up. "Mickey, look who's here," Chloe said and pointed to the entrance of the hotel cafe. Mickey turned around and saw the diminutive form a very familiar woman. Long coat billowing her, Dana Scully Mulder made a bee line for their table. She smiled and took a seat beside Mickey who happily moved over to provide room. "Dana," Mickey said, nodding. "Mickey," Dana said. She nodded to Chloe and then turned to Nick. "Agent Shane? Nice to see you again." "Likewise, Agent Scu--er, Agent Mulder," Nick said, stumbling on her last name. Dana laughed. "I have the same problem. Make it Dana, okay? How have you been?" she said. "Things have been going okay. This case has been taking a lot out of us, and sometimes we're not agreeable, but I think for the most part we're reconciling our differences," Nick said. Dana missed the glance between Shane and Callavelo, one that was still a little poisonous. "Dana," Chloe broke in, trying not to wonder when Nick had actually met her superior agent. "How's the search coming along? And where is Mulder?" Dana took a deep breath and sat back. "Mulder's upstairs showering. I had heard that you were here so I told him I would come down and explain everything to you before he came down," she said. "Simply put, we haven't found her yet. We're waiting for faxes from some taxi companies to see if they can come up with a location. We've also put out composites for the Metro drivers just to make sure she didn't catch the bus somewhere." "It's taking a lot out of Mulder, isn't it?" Dana's silence was all the answer Chloe needed. After all they had gone through to find her and she disappears again, it must be horrible for the man. Not to mention for Dana who had been by his side for much of the bumpy ride. Chloe couldn't help but think of Mulder and Dana as role models. Her problems with Nick paled in comparison to those of the two older agents. And yet, Chloe knew that it still wasn't going to be easy for any of them. "Don't worry, Dana," Mickey said, setting aside the profile. "We'll find her." Dana nodded, hoping they were right. "Mickey," Nick said, after a few moments of silence, "can we discuss the profiles for a moment? I'm sure Dana won't mind." "Oh, by all means, don't let me interrupt," Dana said. "Sure, something you wanted to ask?" Mickey asked. Chloe, on the other hand, was enjoying watching her fellow agents completely cover their differences in order to impress the older agent. Too bad they hadn't done that for me, Chloe thought. "Yeah, you noticed that our profiles are radically different, usually profiles are *very* close in that respect when they come from two different agents that have not discussed them together. Now my question for you, is why do you think the UNSUB is male?" Chloe had to smile at the use of the word "UNSUB". Nick definitely was trying to earn brownie points with Dana. Grant studied the other woman and knew that the jargon for an "unknown subject" was pretty far from the first thing on her mind. "Dana, these two have a bit of work to do, would you like to take a walk with me?" Chloe suggested. "I'm sure they'll give Mulder the message that we'll be back in a few minutes." "Sure, let's go," Dana said. She seemed kind of eager to get away anyway. ----- Chloe Grant enjoyed the change of atmosphere that Dana's presence created. It had been getting much more difficult for her to deal with Callavelo and Shane, even though they seemed to be getting along much better lately. As far as Chloe was concerned, it was about time. "Chloe, let me ask you a question, if I may," Dana said, once they had broken into a brisk pace away from the hotel. Chloe's brow furrowed at the tone of Scully's voice. She shrugged and said, "Sure, what is it?" "You and Agent Shane are lovers, are you not?" Dana asked. Chloe stopped dead in her tracks. Dana had taken a few steps more and had to retrace them back. "Did I say something wrong?" the older agent probed. "No. I just didn't think I was being so hopelessly transparent," Chloe said. "Not hopelessly transparent," Dana said. Then she laughed. "You may not believe me when I say this, but I noticed something that gave it right away." "And that would have been?" "Agent Shane had lipstick on his finger," Scully said. Chloe first blanched and then a deep red colored her cheeks. She reached up and touched her own lips, nodding. "Oh," she said. "Sorry, I don't think anyone normally would have noticed that, I just happened to notice because of the way he waved at me." "Which reminds me. You've met Agent Shane before?" "Yes. And it never occurred to me to put two and two together, Agent Grant. I had actually met him before I met you. And I had heard rumors that he'd been seeing a near- graduate. When you told me, on that case in Orangeburg, that you'd just had a horrible break-up, I didn't think much of it," Scully explained. "How, if you don't mind my asking, did you meet him?" Chloe asked. Dana took a deep breath and guided Chloe to a bench. "Agent Shane came to see me because he said that he'd lost someone very important to him recently and he'd known that I was one of her idols, or something. He made it seem like the ex-girlfriend was dead. And this was about a week before I met you." Dana paused, taking a deep breath. By this time, Chloe was completely entranced by what the older agent was saying. "I don't understand," Chloe said after a few moments of silence. "It's very hard to explain, Chloe. I'd heard of Agent Shane before--the man is a brilliant agent. He desperately wanted me not to think him weird and I think he knew that I might understand. I mean, considering my relationship to Mulder at that point." "So Nick came to see you because he knew that you were one of my favorite agents?" "Yes. I think he wanted to try and make amends and this was the only way he knew how. I assumed it was because he could not speak with you, but I had assumed that for the wrong reasons." "Oh," was all that Chloe could say. With this strange new revelation, Chloe thought she now understood why Nick had been so delighted when she'd come back. He sincerely wanted to try again. Finally, Chloe found enough sense of mind to ask Dana about how she and Mulder were holding up. "The man tried to ditch me again," Dana said and shrugged her shoulders. "But I managed to hang on and he knows that I'll kill him if he tries it again. I'm okay, but it's just as tough on me as it is on him." Chloe nodded. "I can imagine. I have faith that we'll find her. I just wish I could say the same about this damned killer." ------ Metro Hotel Mickey and Nick were getting nowhere. They couldn't agree on anything. So it was a good thing when Mulder came downstairs, freshly showered and looking exhausted. Mickey waved and Mulder came over to their table. "Where's my wife?" he asked. "She and Chloe went to check up on something," Mickey answered. "Agent Mulder. It's good to meet you. I'm Nicholas Shane," Nick said, sticking his hand out for the other man to shake. "Hi," said Mulder, looking slightly uncomfortable and as though he wasn't sure what to do. He shook Nick's hand and sized him up. He was attractive in a dark way, clean cut, wearing an expensive suit. His tie was a bit oddball, but not too much so. The epitome of an FBI agent on his way up, which was what Mulder had heard Nick Shane was. A brilliant profiler with the added benefit of not being too spooky to deal with. "I've heard a lot about you, and I'm thrilled to have to opportunity to consult with you on this case," Nick continued. The words sounded like brownnosing but they were spoken honestly, straightforward. He meant them. Mulder was tired and pissed off. All he wanted was his sister back, safe. He couldn't rid himself of the nagging fear that this was all his fault. The last thing on earth he wanted to deal with was a killer playing games. He glanced around again. Dana was nowhere to be seen, his lifeline, and he needed her. Maybe this would take his mind off of things. He sank into the chair, pushing his hair back out of his eyes. "All right, tell me what you've got." ----- Chloe and Dana swung around the corner and started back to the hotel in silence. Chloe fought to tear her thoughts away from Nick and Mickey and the case and think of something to say. "How's Mulder?" she asked. "This is tearing him apart." Dana answered plainly. "He has all of these unresolved feelings tied up with his sister and her disappearance and for this to happen again...he blames himself." "We'll find her." Chloe had never noticed before how incredibly empty the words were. "I know we will," Dana said, determined. "I'm just worried about what will happen in the meantime." "Samantha's a smart girl. She can take care of herself." Chloe said stubbornly, the words she'd been repeating over and over to herself since she'd first gotten the news. She would be crushed if something happened to Sammi. "I know," Dana said. "Chloe, do you..." she began and then stopped herself, as though she were fighting what she was about to say. Chloe waited. "We don't know what happened to her in the years that she was gone. Or why when she was returned, she was still a child. Do you ever think that maybe...somewhere...she remembers her experiences? That she carries them around with her, even though it's like a blank spot in her conscious mind?" Chloe thought about it for a moment. "I thought you didn't share Mulder's views on deep regression hypnosis." "I don't," Dana answered. "And even he never suggested that she be regressed. I think he was afraid of what she might remember." "Do you think they hurt her?" Chloe asked, not wanting to think about it. Wishing something could be done about the nameless, faceless 'them' regardless of whether they were little gray men, as Mulder believed, or government conspirators, as Dana believed. She remembered the mysterious cigarette smoking man and shivered. "I don't know," Dana answered. "I think it's possible." She felt sick thinking of it, and the untapped memories of her own abduction. "It's just that she's so smart, so wise beyond her age. I can't help thinking sometimes that she carries those missing years with her somewhere. Do you know what I mean?" "Yeah," said Chloe, "I think I do." ----- "I think you're both right," Mulder said after a long silence in which he'd studied Mickey's and Nick's profiles of the killer, along with their case notes. The two men relaxed visibly and exchanged a look. Mulder didn't miss it and couldn't help wondering why they seemed to be in rivalry with one another. "The killer's obsession with this myth is obvious." He glanced over the profiles again. Nick's leaned heavily on the paranormal, the sort of thing Mulder himself might have come up with. But it didn't all seem right to Mulder, not in this context. He liked some of Mickey's ideas as well. "The killer must be terrified of the Perseus figure in all of this. And that is us. He--or she--is taunting you with this latest statue stunt. The killer knows who you are," said Mulder, "and is planning an attack." "What do we do?" Mickey asked, willing to accept the advice of his supervisor. The voice of wisdom. Even though Mulder looked about ready to put his head down on the table and pass out. He'd been through hell, Mickey thought, and it wasn't over yet. He hoped Sammi was all right. "That doesn't bring us any closer to knowing who the UNSUB is." Nick said. "You have one more murder. The perversion one. I think you're on to something with the child pornography idea," Mulder said. "And then the killer will be coming after you." "Should we take precautions?" asked Nick. "You're safe until after the next murder," Mulder stated, reaching for the thick case file. "Now, let's go over this again..." ----- He couldn't keep still. He trembled with excitement, his hands shaking so violently he could barely do his work. The blood pounding in his head nearly obscured his thoughts. He struggled harder to focus his thoughts on the matter at hand. The body was not so easy to manipulate as it had been in its corruptible mortal state. It was perfect now, untouchable. No longer flesh. Immortal, although that made his work more difficult. He twisted the limbs into the positions he desired as a child moved a doll, bending it at the hips and forcing it to sit in the chair behind the large, regal desk. He'd removed the clothing beforehand, discarding it haphazardly in a trail from the open bathroom door. He's also removed the man's head, but he was not so careless about its placement. It went under the desk, trapped by the man's own dead body. Artwork. He was so excited by its exquisite message that he could barely breathe. He made sure the photographs were neatly arranged on the desktop, the underground magazines and Polaroid snapshots of children that one would not think a man of such political power would have in his possession. He placed the corpse's loving hands on top of the pictures, caressing. Finally, on his way out of the room, he popped a tape into the VCR and turned on the television, which was hidden in a mahogany cabinet across from the heavy desk. He pressed 'play' and glanced at the screen for a moment. He left the room with the image of the politician and a small child fixed in his mind. He had other things to do now. Important things. He had to slay Perseus. He had the advantage; he knew the myth. Perseus was going to be trying to kill him. So he had to kill Perseus first. ----- "What did you come up with?" asked Chloe, taking the chair next to Mickey, across the table from Nick. She tried to avoid looking at Nick, but she couldn't help it. Their eyes met and locked. "Not much," he answered, gazing at her. He was so lucky to have found her again, Nick thought. Mickey looked away, not wanting to watch his partner make googoo eyes at Nick. "And you?" asked Mulder, looking at Dana, barely daring to hope. She shook her head, and his face fell. She took his hands into hers. "We will find her," Dana promised her husband. "I know." Mulder whispered, feeling hot tears in his eyes. "I know," he repeated, nodding, trying to believe. Dana squeezed his hands tighter and kissed his lips lightly. He leaned in to her warmth and life and tried to cling to her when she moved to pull away. Mickey stared at the tablecloth thinking that maybe he should excuse himself. Go and find himself a girl. He couldn't help but sneak a glance at Chloe. Her blond hair was falling into her eyes and she looked pale. This case was taking its toll on all of them. As though she could feel his eyes on her, she looked at him. "Mickey?" she said. "Mulder thinks the next murder will represent Medusa's other sister, and perversion. And then the killer will be coming after us." "Why us?" asked Chloe. "It's in the myth," Nick said, taking control. "We represent the force that will bring the killer down." "All of us? I didn't think the killer was into the group scene," Chloe commented wryly. "Besides, how would the killer know who we are?" "He knows," Mickey said, convinced. Chloe looked at him sharply. "Do you think that all of your injuries on this case might be related?" she asked incisively. "Maybe this woman--the one who's always there when you get into trouble--could she be involved?" "What woman?" asked Nick and Mulder at the same time. "Her name's Purity. She's not involved," Mickey insisted. "The killer is a woman," said Nick. "The killer's a man," snapped Mickey. "How do you know?" Chloe asked gently, her eyes fixed on her partner. "I know, Chloe. I'm not stupid. She isn't involved." Mickey insisted. "I can't explain it." "She doesn't have any records on file anywhere," Chloe said quietly. "What?" asked Mickey, his eyes widening. She couldn't have said what he thought she'd said. "No birth certificate, Social Security...the man at the symphony doesn't even know anything about her. It's like she dropped out of the sky, Mickey." "You investigated her!" Mickey shouted, feeling the anger building inside him. His face was hot. "You would do the same thing!" Chloe said loudly, trying to reason with him. "I would not!" screamed Mickey. "I've sat back and watched without saying a word while you and *Agent Shane* here--" "Mickey!" Dana said sharply. He ignored her. "--carry on your little affair. I've turned my eyes away without saying anything." "Your life may be in danger!" Chloe shouted. They were both on their feet now. "You don't know anything about this woman and every time you see her, you end up in the hospital! She may be the killer, Mickey." "The killer's a man," he repeated. "And what do you know about Nick? You don't know what he's capable of, you haven't seen him in six months--" "You're jealous, you--" Nick cried, jumping into the fray. "So what if--" Mickey began. "That is enough!" Dana said commandingly and the three younger agents stopped to look at her. She looked furious. "If you children can't behave yourselves properly, I'm going to send all of you to your rooms without supper!" She didn't realize how incredibly stupid her words were until Mulder began to laugh. "Don't laugh at me," she snapped at her husband. He shook his head, holding back his smile. He reached out and pulled her against him. "I love you so much," he said, hugging her. Chloe was shocked to see Dana blush. Mickey and Nick took the opportunity to slide, embarrassed, back into their seats. "So, the killer is coming after us," Chloe said, bringing them back to the matter at hand. Out of the corner of her eye, she saw Dana move off of Mulder's lap and back into her own chair. "That's what this morning's fake murder was about. The killer bringing us out into public view," Mickey said. "So he can find out who we are." "If she didn't already know," added Nick. "Well, we have some time to figure out who this...person...is." said Chloe. "Maybe we can find a way to prevent the next murder." Her cell phone began to ring at that moment and she answered it. "Grant." The door to the restaurant opened. "Damn it," Chloe said into the phone, and hung up. "Purity?" said Mickey, his eyes fixed on the woman who'd just entered. "There's been another murder," Chloe said, tucking her phone away, and then looked up. "Oh my," she said. "Samantha?" Mulder's voice broke on the name. He pushed his chair back and it fell over, but he didn't care. "Fox!" Samantha threw herself against her brother, who'd knelt down to her level and they hugged tightly. "Please don't be mad, I just missed you so much!" "You're Purity?" asked Chloe, her eyes on the small woman standing off to one side and looking uncomfortable. As though she wanted to run. Chloe had no doubts about the woman's identity, however, based on the description she'd received at the symphony. The man's words had been true. She was beautiful, and even the scars on her face and hands could not mar that. "I think you have some explaining to do," Dana said coldly, looking from Samantha to the woman who had accompanied her. "This can't be how it looks," Mickey said, meeting Purity's hazel eyes, daring her to say different. His stomach felt as though it were tied into knots. He could already feel her betrayal and it hurt. A lot. "Mickey, I--" Purity said, taking a step toward him. "Hold it right there." Nick ordered, drawing his gun on her. "What the hell are you doing?" Mickey demanded. "The killer is a woman," he said. "Chloe's suspicions may be correct. And apparently, this woman's a kidnapper." "I'm not--" she began. "Are you all right?" Mulder asked Samantha, examining her with his eyes. She nodded. "I'm fine," she said. "Well, hungry. And she didn't kidnap me. She helped me." Samantha looked down, feeling guilty. "I ran away, Fox. I missed you and Dana, and it was so strange at home with Mom. She's not...like I remember her." "It's all right, Sammi," Mulder said, stroking his sister's hair. "Put the gun down," Chloe told Nick without taking her eyes off Purity. She still looked ready to bolt. "Not until I get some answers," said Nick. "Nick--" "All right," he agreed, slipping the gun back into its holster. That was when all hell broke loose. ----- The door to the restaurant opened violently, slamming against the wall. A wild-eyed man strode in. He was trembling and sweating and he had blood on his hands. "Get down," Mulder ordered, pushing Samantha to the floor and encouraging her to crawl under the table. He wanted her safe and the insanity in the man's eyes reminded him of Duane Barry. "I've come for you," the man said, but his eyes roamed wildly. Purity took the opportunity to slip out the door. Mickey saw her go and wanted to run after her, but he couldn't move. This man was the killer. There was no doubt in his mind. "Perseus, we meet at last," said the man. "But this time I will triumph!" he cried. He blinked back the darkness at the edges of his vision, his focus so intense he threatened to black out. He could feel his heart pumping the blood so powerfully. He could barely breathe with the excitement of it all. His triumph. At last. He would gain his immortality by this. He moved toward the man, feeling the powerful implement he held in his pocket. He stroked it with his fingers, feeling the almost electrical surges it sent through his body. He could barely stand the excitement. Nick thought the man was staring at Chloe. He was terrified. He'd been wrong about the killer's gender, but he remained convinced that the killer feared women. And he could not let the killer hurt Chloe. The man began to withdraw his hand from his pocket and Nick's FBI training kicked in. The adrenaline shot through him with the fear that that man would blow Chloe's brains out before she had a chance to react. Nick screamed as he threw himself at the killer. The killer turned his head, tearing his eyes away from the dark-haired man he had been trailing through the city. The man he had attacked in the library. The man he had thought to be Perseus. He had been wrong. He turned his body and knocked Nick to the carpeted floor of the restaurant. His hand came out of his pocket quickly as his other hand forced Nick's jaw open. He struggled but the killer was too quick. "Nick!" Chloe screamed. A gunshot rang out and the acrid smell of gunpowder filled the room. The killer flew backwards, stumbling for only a second before he fell dead on the floor. Samantha let out a small squeak of horror. She'd never seen her brother kill before. She wished she'd stayed hidden under the table, her face buried against the carpet. But she hadn't. She'd seen her brother kill. Fox sank to his knees, sobbing, and Dana was right there to hold him. She didn't know why this man had such a profound effect on her husband, but she had seen it in his eyes from the moment the killer walked in. Fox buried his head in her shoulder and cried. "Nick!" Chloe screamed again, scrambling across the floor, instant hot tears flowing down her cheeks. She hadn't done anything, she hadn't reacted, she hadn't been fast enough. Sirens began to scream outside, too soon, and the flashing red and blue lights filled the room psychedelically. Purity had called for help, Mickey thought, taking a deep breath. He felt sick. He'd watched a man die. ----- "Nick!" Chloe cried again. He was laying flat on his back, a look of pain permanently frozen on his face. She immediately reached out and found the base of his neck, searching desperately for a pulse, although she knew, deep down, what was really happening to him. She could feel a weak, very thready, pulse. Seconds later his body began to twitch. "Oh my God, somebody do something!" A state of panic washed over her and all Chloe could do was run her hands through his hair and wait for the inevitable to happen. Chloe's heart pounded in her chest, feeling as though it were about to burst. She was watching him twitch, caught in a daze. It was seconds before she realized that Dana Scully was yanking the device out of Nick's mouth. From behind, someone was calling her name, but she was just watching Nick. She saw his facial muscles, his beautiful face, twist in a gruesome expression. His eyes fluttered and as the solidification of his body continued, Chloe watched as Nick slowly slipped from their world. Eventually his body lay still. And it was then that Chloe saw it. His leg was crystallizing, just like all the other victims had. He had been taken from her in the most hideous way possible--he'd been turned to stone. Chloe lost it then, slumping forward and hugging Nick's body to her chest while the hot tears streamed down her face. She felt someone take a hold of her shoulders, slowly prying her away from the body. Paramedics had arrived on the scene, and Chloe missed the horrified looks on their faces as she focused on her partner's face. Michael Callavelo, her partner and friend. And he was here for her. His embrace was so warm and strong. It was on his shoulder that she wept the rest of her unfinished tears. ----- Chloe sat on the edge of her hotel bed, staring numbly at the wall. She heard the knock on the door, but chose to ignore it. Another knock was followed by another, until finally she could stand it no longer. "What the hell do you want?" Chloe snapped, not caring who was at the door. "Chloe, it's Mickey. Can I come in?" Mickey. The man who had hated Nicholas so much that he could probably taste it. He was the one who had nearly killed Nick himself on more than one occasion. But he was her partner, and friend. And Chloe knew that even as she was trying to formulate some way to hate Mickey for everything that had happened, there was no possible way she could. "Yeah, it's unlocked," she said, curling up on the bed and hiding her face. Michael Callavelo entered her hotel room only to be shocked by the sight of his partner. She wore blue silk pajama's and was curled up on the bed opposite from the one he knew she normally slept in. He could not see her face, but Mickey knew that she would prefer to stay curled up. He carefully sat down on the edge of the bed and put a hand on her shoulder, unsure of what to say now that he was actually here. He knew there was nothing he could say that would make her feel any better--nothing that would take the deep remorse away. "I wanted to say I'm sorry, Chloe," Mickey began, feeling his own eyes burning. Even though he had not particularly liked Nick, the man had been a good agent and one that the Bureau had been proud of. It was literally a waste. Someone could have stopped this from happening, if they'd just draw their guns a fraction of a second earlier. It had been too late. Nick was now a solid statue, due to be cut into pieces by one of Chloe's closest friends--Dana Scully Mulder. But Mickey was not here to tell Chloe that, he was here to apologize, even though it was too late. Far too late. He would not have detected the sob if his hand hadn't been on her shoulder. It was a light little intake of air that alerted him to the fact that she was crying. "I'm so sorry," he repeated. And he meant it. Nick's death could have been avoided. Mickey had been the closest to the man, could have easily done what Mulder had done. But that, Mickey knew, was just wishes and regrets. No matter how sorry he was, how much he *wished* he could go back and take those few seconds into his own hands, Mickey could not change things. He couldn't do a damned thing. Mickey found himself facing his own emotions for Chloe too. He found that he'd been jealous of Nick because he had Chloe. In a sense, Chloe was Mickey's too, but not on the spiritual level. Not like *that*. Even if Michael had felt the urge to tell Chloe this, he was absolutely positive that now was not the time. There would never be a time. He sniffled a bit himself, patting her shoulder gently and rising off the bed. He allowed his hand to trail down her arm in a comforting gesture, but before he could take his hand back, Chloe had reached out and grabbed it. He felt the lightest squeeze, and when he looked back, Chloe was looking up at him. He knew that this was an act of trust. She was revealing her emotions to him one last time before she replaced the mask and went on with her life. He saw the tears streaming down her face, the puffiness beneath her eyes. He offered her one of his most sympathetic smiles and knew that she had forgiven him, for whatever sins he had dreamed up for himself. For whatever burdens he carried buried deep in his heart. He knew that she had forgiven him for his guilty feelings. "Michael, you couldn't have changed it," she said, quietly. He felt the tears sting his eyes again and he turned away, letting go of her hand. "I know," he said, and then briskly extracted himself from her room. You couldn't have changed it. The words echoed in his mind as he entered his own room, finding sanctuary to shed his own tears. ----- Medical Examiner's Office New York, NY "How's she holding up, Mulder?" Dana asked as her husband wandered into the autopsy room. She didn't like the fact that Chloe hadn't been told about Agent Shane's autopsy, but Skinner had insisted on it when she and Mulder had called him. "Chloe?" he asked. "Yeah," she answered, concentrating on the cut she was just about to make. "I just talked to Mickey and he said she's okay. She's a little shaken up, but he said she would survive. Like she always does, he said." Mulder wandered around to the other side of the autopsy table, gripping the edge until his knuckles turned white. "Mulder?" Scully asked, knowing that something else was bothering him. She had a pretty clear idea what was, but she wanted to hear him say it. "Samantha watched me shoot that man, Dana," Mulder said quietly. Suspicions correct, she put down the scalpel and peeled off her rubber gloves. "I can do this later, Mulder," Dana said quietly. "No. This is more important," Mulder said, shaking his head. "I just wanted you to know the score. My little sister watched me shoot that man and now she's having nightmares. Nightmares that *I* created." "Nightmares that any child would have," Dana told him. She slipped her hands around his waist and looked up into his hazel eyes. "Nightmares that will go away with time." "Is that the voice of reason I'm hearing again?" Mulder asked, his eyes gazing down at her lovingly. Dana got up on her tip-toes and planted a kiss on the corner of his mouth. "I think so, although sometimes I can't be sure." "Well, I suppose you should take some time to find yourself sometime, huh?" Mulder said. "Nah, I'd rather find you when I'm done here. You up for coffee or something?" Dana asked. "Sure. You have two hours tops," Mulder said and winked. "Are you trying to rush an official autopsy, Agent Mulder?" "No, I'm testing your skill, Agent Mulder," Mulder mocked. He bent down and kissed her again, this time longer and harder. "I'm rather hungry, too," he added, smiling mysteriously. "We'll see what we can do about that, now get out of here," she said, swatting at his chest. She wandered back to the scrub sink to wash up again before putting on some fresh latex gloves. Mulder watched her for a moment, knowing that he probably wouldn't have been able to make it through this without her. He smiled once more and slipped out the door. ----- Three Days Later New York City, NY Chloe Grant felt numb. It was as though part of her had been stripped away from her and she had been left exposed. Things happened in a blur. Mickey had ended up filling out much of the reports and had made sure that Chloe only had one thing to do--concentrate on what she had to do and then get herself back into control. She had wondered, over the past couple of days, why she had been so affected by Nick's untimely death. After all, she asked herself, hadn't she hated the sight of him when she first arrived here? Hadn't she wanted nothing to do with him? Yes, she told herself. But the tables had turned and he had become, once more, the man that she found herself trusting as the special one. Chloe thought about all these things as she stooped and ducked into the back seat of the rented sedan. Mickey was driving, but she didn't want to occupy the front seat, not at a time like this. He seemed not to care, or if he did he said nothing. Accommodating, Chloe thought. "Chloe, are you ready to go home?" Mickey asked, turning around in his seat to look her squarely in the eye. Having shed no tears that day, Chloe's answer could be heard loud and clear. "Yes, Mickey, let's go home." Mickey Callavelo nodded to his partner and turned around. He slid a pair of shades down on his nose and put the car in gear. She was ashamed that they had to catch the flight so soon after Nick's funeral, but sometimes these things just happened. Chloe suspected that it would best if she forgot New York all together. Too much had happened here to make that an easy task, but maybe--just maybe--with Mickey's help, she'd be able to do it. Just until the pain healed. Just until she moved on, like she always managed to do. ----- Medical Examiner's Office New York City, NY Finding the killer had cleared the FBI agents of the investigation. But the Medical Examiner was always on duty. Although the older FBI Agent had conducted the last autopsy, the one on the male FBI Agent, he was left with the final victim of the crazy "Medusa" murderer. While he worked, he thought about motives and how strange the case had been--or what little he knew of it. By the time they found the statue the press had been around, possibly alerted by the killer himself. The case was no longer hush-hush. Those FBI, he thought, should be damned thankful that the killer had been caught before the press had the chance to mess around in the case. Somewhere, someone had horseshoes where the sun didn't shine. Except for that poor FBI Agent who had ended up just like all the others--exactly like this man before him on the steel table. After what he and the young blonde FBI Agent had found in the throat of the one victim, he wasn't surprised when he found the pouch in this one's. This pouch held the same red liquid, leaking from its center, reminding him of the blood that *should* have been rushing through this man's body. Careful not to let any of the substance touch him in any way, the ME deposited it in an evidence bag which was ready to be placed in the box to be sent to those FBI Agents. He shivered only once, before continuing with his work. Precise cuts and careful measurements followed as the ME did what he was trained to do. His training didn't allow him to ponder the myth. It didn't make him wonder what, if the other pouch was a serious poison, this new ruby-red substance could possibly be. ----- Summer House Quontochataug, RI Samantha Mulder pulled the covers right up around her chin. Her brother sat on the edge of her bed, and Dana stood close beside, her hand on Fox's back. "Sammi," Fox said quietly, leaning closer to her to whisper conspiratorially, "I think you're in for a big surprise tomorrow." "Really?" Sam whispered back, a huge smile on her face. "Yeah, can you guess what it is?" Sam could only shake her head. She had no idea. "Breakfast, Sammi! I'm cooking breakfast," Fox said quietly. Sammi immediately screwed up her face and made a grotesque noise that simulated throwing up. "Gross! Remind me never to wake up," Sam said. Dana chuckled and Mulder shot her a mock-hurt look. "Samantha, dear, are you dissin' your brother's cooking?" "No. Let's just say that I'll make sure I'm up first." "That was really the plan," Fox whispered. "Hey, that's an unfair scheme--" Sam complained, happily. "Serves you right, Sammi. Now, I think it's time for some sleep," Fox said. He smiled and then leaned the rest of the way forward to plant a kiss on her forehead. Getting up and moving to the side, Fox allowed Dana to move in and whisper, "Don't worry, Sammi, I'll cook." She winked at the little girl and kissed her cheek too. "Sweet dreams, hon," Dana said. A few moments later they were gone, leaving Samantha to the dreaded darkness. It seemed to consume her, paralyzing her heart with fear. But tonight, her bedroom door crept slowly open. Her mother stood at the door, the lamp-light from the hallway beyond illuminating her frail body. "Samantha?" her mother called quietly. "May I come in, dear?" Samantha smiled warmly, although the darkness covered it. "Please," Sam said quietly. "I brought you something," her mother said, walking carefully into the room and navigating her way to the lamp beside Sam's bed. When the light was turned on, Sam saw the softness in her mother's face--a softness that she hadn't seen in a long time. Sam sat up and reached for the older woman's hand, watching her mother's eyes light up. Sam didn't know what to say, so she just squeezed her hand. Mrs. Mulder's eyes filled with tears of happiness and she had to take a moment to choke them back before saying, "It's a night light. I've had it for years, since you were little." Samantha studied her mother's face and realized the happiness that the woman was experiencing from the fact that she could offer this one little gift. "It's a small thing, but when Fox told me of your nightmares, I knew it would be the perfect remedy." "Thank you," Sam said, squeezing her mother's hand again. "Mom?" Mrs. Mulder looked surprised. "Yes?" "I love you," Samantha said. This time the tears did spill. They were silent, but they spoke volumes to Samantha. Her mother gave her a quick kiss on the cheek and stood up. She found a small wall-plug for the night light and gently plugged it in. "Samantha," she said, turning to face the young girl, "you never know what you're missing until it's gone. Please don't ever leave me like that again. I realize my mistake and never want to make it again. If you can forgive me, I'd like to start again. I'd like to be your mother." Sam smiled warmly and slipped out of the bed. She padded across the room to her mother and said, "You'll always be my mother." "I love you too," Mrs. Mulder said, dropping a kiss into Samantha's hair. "Perhaps you should get some sleep now." Sam nodded. Mrs. Mulder tucked her in again, then disappeared. When she was gone, Samantha was able to close her eyes for the first time without seeing the image of that horrible man flying back--a gaping hole in his chest. And she knew that love, perhaps combined with that little night light, would see those nightmares turned to dust and vanish. Sam's last wish, as she dropped off into a nightmareless sleep, was that perhaps it would work just as well for Fox too. ----- Summer House Quontochataug, RI Early the next morning When Samantha opened her eyes, it was still dark. For a moment she was afraid until she saw the night light that her mother had brought her the previous evening. The small token made her smile sleepily as she sat up in bed, trying to remember what she had dreamed. It had been about that woman, the one who had helped her in New York. But she couldn't remember what the dream had been about. There had been a lot of darkness, so she should have been afraid-it should have been a nightmare--but it wasn't. Sam shook her head. She didn't remember. There were a lot of things she didn't remember. Dana told her not to worry about it, so she didn't. Deciding she wasn't going to be able to go back to sleep, she slipped out of bed and walked quietly through the house in her pajamas. The wood floor was cold under her feet, reminding her of Christmases in the other house, with Fox. Christmas was coming soon, she thought as she entered the living room on her way to the kitchen. A cold wind fluttered the curtains around the sliding glass door, which stood wide open. Samantha's heart began to pound and instinctively she looked behind her, although she wasn't sure what she was expecting to see there. Maybe she should go wake up Fox... She looked back outside. Pink streaks were beginning to brighten the sky, and in the pale light of the fading darkness, she saw someone outside in the yard. Squinting, Samantha approached, slipping out through the doors with a final look back into the house. Dana wasn't started when Samantha suddenly appeared by her side. She simply pulled her robe more tightly around herself. She glanced at the girl quickly and then returned her gaze to the ocean. "You had a bad dream," Samantha said. Dana nodded silently and Sam could see the tension in her shoulders and her face. "It's all right," she said, sounding much too old for her ten years suddenly. "It isn't real." "But it is," Dana said softly and put her head down. Samantha was shocked, and scared to see that she was crying. More scared than she'd been when she thought there might be an intruder in the house, more scared than when she'd been all alone in New York City. She didn't know what to do. Sam touched Dana, thinking maybe she should hug her, but then she didn't think it would help. So she did the only other thing she could do: ran inside and woke up her brother. The warmth of Fox's arms sliding around her body roused Dana and it almost broke through the cold that she felt down to her very soul. "What's wrong?" he murmured softly against her ear and she could feel his breath on her neck. For a moment she let her eyes slide closed, savoring the feel of this man, so strong and so alive, holding her with love. "Samantha said you had a bad dream...?" he tried. Dana nodded and reluctantly pulled out of his arms so that she could face him. "I remembered something," she said. Fox knew from the tone of her voice and the fragile, vulnerable look on her face what she was talking about. Tenderly he brushed the hair out of her eyes and wiped a tear away, waiting for her to speak when she was ready. "She was there...that woman, the scarred one from New York. She was younger. They were...um..." Dana didn't have any words to describe any of it. "There was an injection, I think...it was given to all of us, I..." She searched her memory but came up short. This was so frustrating and so hard. She wiped another tear away and wished she could stop crying. She didn't even know why she was, but there was an ache deep inside her and it kept the tears welling up and she couldn't make them go away. "They burned her. On purpose, a test or...something. She looked the man in the eyes before he did it, but then...when they started...she couldn't help it...she turned away and put her hands over her face to...I...They stopped right away. I don't think it was supposed to hurt her. I don't thi--I don't know." "It's all right," Fox told his wife, pulling her against his chest and stroking her hair, although he knew that the words were meaningless. "The man who was responsible is dead." And if he hadn't been, Mulder would have murdered that goddamned son of a bitch personally. "The women...in Allentown...they said this would happen. They said it would start coming back to me," Dana sobbed. "But I don't want to remember. I don't want to remember it." There was nothing Fox could say, although he had a thousand questions in his mind. At least she hadn't remembered them doing anything to her. They hadn't hurt her. Not yet. There was nothing he could do but hold her while she cried. Samantha watched from inside the house, where her mother made breakfast and tried to pull her attention away from the silent scene on the other side of the glass. She wondered what Dana had dreamt that upset her and it sent a dark chill through her body. As though she already knew. ----- Angel's Wing Rest Cemetery Washington DC Something had been calling Chloe to this spot and she hadn't resisted this time, as she had all of the other times in the past three weeks that she'd thought of visiting. Every time she thought of him, every time she remembered something, she felt that knife of loss go through her again. And she wanted to come and see. But she'd stayed away. Until now. "All right, Nick. What do you want?" she cried out into the still, foggy air of the late morning. She looked down at the headstone next to her foot. He wasn't going to answer. He hadn't called her here. His spirit was just with her today, that was why she thought she could feel his presence and why she kept thinking about him. Of course there was no answer. He was dead and buried, under the ground that was just beginning to freeze with winter. She waited, listening in the quiet. There were no other mourners around. It was a quiet place for him to rest. Chloe felt she should be doing something, but she didn't know what. She'd feel silly talking to him and she didn't have it in her to cry again. So she stood there, wondering what to do. She'd never been close to someone who died before. She had no ideas. She was just turning to leave, thinking that she had been stupid to come, when she saw the figure approaching her with a determined stride. Chloe recognized the flame orange hair first and the silly high heeled shoes second. Dana Scully Mulder. "How are you doing?" the older woman, her mentor and her friend, asked with concern. "I'm all right," Chloe replied, nodding. "I just...felt like I should come here today." The look in Dana's eyes told her that she understood. "It sounds stupid, but it was almost as though he was calling to me." "I know," Dana said, surprising her. "I could feel it too." A silent look passed between the women. "I found this in my desk today. It's addressed to you, so I thought you should have it. He left it in keeping for you with me. I don't know why." "Thank you." Chloe said, accepting the heavy white envelope with stiff fingers. "I'll leave you to it then," Dana said after a moment, looking uncomfortable. "Unless you'd rather I stayed...?" "No, that's all right," Chloe answered. "I'll be all right here." "I'll see you later then," Dana said and really meant it. It was almost an order. Chloe nodded and watched her walk back to her car. Alone again, she looked at the envelope. She didn't know if she wanted to open it. It would open the wounds again that were just beginning to heal. She felt the heavy bond of its paper in her hand. But he wanted her to have it. She looked over at the tombstone and then back at the scrawl on the envelope. Her name. The way Nick always wrote it. He did want her to read it. She couldn't disobey, not now. There was a letter on the same heavy bond paper. Nick hadn't even bothered to try to make his writing legible. He knew she could read it even when no one else could. "My dearest Chloe," it read, "If you're reading this, it means I've been stubborn. And very probably stupid. I'm sorry, Chloe. I'm sorry for everything I did and I hope I was able to tell you before it was too late. Words come hard in writing, you know that. I love you, Chloe, and I should never have done anything to hurt you. I know, too late, that you meant more to me than a thousand promotions. I sincerely hope it is not too late, that I was able to find you and tell you myself. That maybe a spark of that love remained for me, the love that continues to burn within me. Because I have seen the future, Chloe, and without you it is bleak." It was signed, "I love you, Nick." Chloe looked down at the tombstone, not certain what she should do. "You know I forgive you, Nick. And I love you," she whispered. There was something else inside the envelope. A small band of gold, worn with age, had hidden itself into one of the tight corners. Chloe pulled it out with shaking fingers, looking at its familiar filigree design and the small gem set into the center. Nick's grandmother's engagement ring. Passed down through the family. It had come to Nick when his mother died, and Chloe remembered encouraging him to wear it on his smallest finger to remember her. He'd refused. He told her to wear it, but she'd been stubborn and ignored his implications. They weren't ready to marry, she knew, it was Nick's mother's ring and Chloe didn't know her. It wasn't right. Now it was right. Chloe slipped the ring onto her finger. She could face the future. But she would always remember him. She turned away from the grave and was startled to see her partner standing a few feet away, his hands in his pockets against the cold day, looking very uncomfortable. Obviously waiting for her. Chloe took a deep breath and straightened her shoulders. "Mickey," she said. He approached, coming to stand next to her near Nick's grave. She saw his eyes flicker over the headstone and turn dark with guilt and something more. Regret? Sorrow? His eyes fixed on her face and she met them boldly. "Chloe," he said in a soft voice she wasn't sure she'd ever heard from him before. "How are you doing?" His hand moved as though he wanted to touch her and then thought the better of it. She nodded, self consciously wiping her eyes to make sure there weren't any tears lingering. Mickey caught her hand with his. His skin was warm and rough against hers as he turned her hand over and looked at the ring she wore. "It's beautiful," he said in a tight voice. "It was Nick's. His mother's. He...wanted me to have it." Chloe explained awkwardly but let him continue to hold her hand. He touched the ring and then let her go. "It's such a shame that he's gone, Chloe. A waste. I should have done more." Mickey's eyes went to the ground again. "I've been meaning to say something but I--" "No," Chloe said. She didn't want to hear it. "There was nothing you could have done. There was nothing anyone could have done." It cast a creepy feeling through her, but now she knew. Nick had known, before the case had even begun. Somehow, with that odd sense he had, he'd known. "I'm sorry," Mickey said with such a terrible look that she actually wanted to hug him to try to make him feel better. But she didn't move and for a moment they were silent in the cold cemetery. "I got some information today," Mickey said, his manner sliding into a more professional mode. He paused, as though trying to find the best way to tell her, one that wouldn't hurt. "Just say it, Mickey, I'm all right," Chloe said. He looked at her and nodded. "A report appeared on Agent Pendrell's desk this morning." "Appeared?" asked Chloe. Mickey nodded. "Someone knew he would get it to us." Agent Pendrell had come to be very useful to them in recent months, devoting a great deal of his time and talents to the X-Files. "Information that was covered up by the disappearance of the killer's body and the Medical Examiner before the autopsy report could be finalized." Chloe waited. "The killer's name was John Stavros. He emigrated to America from Greece as a small child with his father." "What happened to the mother?" Chloe asked. "She died, that was all it said. He had a history of mental illness following after his father's death ten years ago. In between hospital stays, he found time to become a scholar of the classics and a professor of mythology at one of the smaller universities in New York City." "So he was psycho?" Chloe asked. It made her feel cold inside for reasons she couldn't explain. Maybe it was better to think there was some sort of paranormal cause, to make this case special, distinctive. Not just another damned psycho out on the streets. "There's more to it than that, Chloe," said Mickey. "The killer had one of those blood filled packets in his throat at the time of autopsy." "But..." Chloe's mind whirled with thoughts. How did it get there, if he'd been shot? Had someone placed it there after the time of death? Or was he some kind of freak, had it been there all the while? "The analyzation of the blood was detailed in the report we received. It's not like the blood that killed...that he used to kill with. This blood had a different unidentifiable element in it. With the capacity to heal rather than kill." "It what?" Chloe's eyes widened. "Heal. It's amazing, Chloe. The scientists have never seen anything like it." She grew very quiet for a moment. "He could have helped people," she said. "But instead he chose to kill. Why?" It was a rhetorical question. It was likely they would never know the answer, or why the men had died, beyond the twisted legend of Medusa. "Everything's just...gone." Mickey said, feeling frustration well up within him. Always, the vital clues slipped through their fingers. It didn't matter that the conspiracy had seemingly gone down. There was always another one waiting around the corner, another bureaucratic cover-up with unknown agendas. "Then how did we get the report?" Chloe challenged him. There were answers out there, somewhere. For them to find, no matter how hard it would be. "Someone's looking out for us. Trying to make sure the information is known." Mickey said. "We have a friend, Mickey," Chloe said, looking at her partner and feeling a strange ray of hope. Maybe not everything was bad. Maybe someday they would be able to know the things that were being kept from them, and learn who was doing the keeping. She managed to smile at him and he put his arm around her shoulders, drawing her against him as they started back to the road. Knowing that there was work to be done. And they were the ones who had to do it. ----- The End -lazydark@aol.com charhall@juno.com- __________________________________________________________________________ XAngst Anonymous Member T h e - GLWG - - - -RP S19- Lone Gunwoman #41 \ / HBS Melissketeer X Skinner Chick Extreme Possibilities Member / \ EMXC Mysterious & Suspicious Founder - - -Riley- Girl From File #0 F i l e s Co-Founder Anti-Spellin' Brigade (tm) __________________________________________________________________________ Charctavius of the New Triumverate RHAUNCH-E RPack Diplomatic Liason Officer